Larry, a 16-year-old Tlicho Indian, lives in the small northern town of Fort Simmer. He loves heavy metal music and has a crush on his classmate, the high school’s hottie, Juliet Hope. Larry’s past holds a variety of terrors—his father is abusive and he once had an accident that nearly killed him. When Johnny Beck , a young Métis from Hay River, moves to town, things heat up.
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When her new single drops, Abby sees how grimy the music industry can be as she navigates jealousy from other artists on her label, blackmail from friends, and the resurfacing of a dangerous man from the past she thought she left …
When Elfrida Philips abandons London for a country village, she settles in quickly. She is very poor, but has a tiny cottage, her four-legged friend Horace, and friendships of good neighbors. Tragedy upsets her newfound tranquillity, and she takes refuge in a rambling house with a new gentleman friend in Corrydale. But the group proves to be greater than the sum of its ill-fitting parts, and as the solstice passes, and as Christmas approaches, the healing power of love, begins to work its magic. (Filmed at Dunrobin Castle, Golspie, Sutherland)
Sam & Fordy run a credit card fraud scheme, but when they steal from the wrong man, they find themselves threatened by sadistic gangster. They need to raise £5m and pull off a daring diamond heist to clear their debt.
A progressive graduate student finds success and sparks outrage when his interest in battle rap as a thesis subject becomes a competitive obsession.
A former cop returns to challenge a plot to escalate gang violence in the streets of Los Angeles.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
An ambitious investigative reporter, uncovers an ominous government conspiracy and immediately finds himself in their cross hairs. Now, he must race against time to stay alive and expose the proposed legislation before it is voted into law.
Su Jianming, the son of Deputy Mayor Zheng Gang of Jinjiang City, defies his father’s counsel and attends a cunning dinner invitation from the wealthiest man in Jinjiang City, Li Zhitian (played by Yu Hewei). To his astonishment, he becomes an unwilling witness to a shocking incident where someone is coerced into thrusting their hand into a simmering hotpot. As past mysteries resurface, hidden factions from various quarters plot and scheme, employing intricate strategies, scrutiny, and suspicion. Amidst the web of conflicting desires, the pressing question remains: who will ultimately unveil the final mask?
Following a brawl, Captain Ignat, who is traumatised by the death of his daughter, is ordered together with a regular soldier to find a deserter and bring him back via Moscow to stand before a military court. Although they locate the young soldier, their journey across the wintry moloch that is Moscow is slow and tortuous. Before long, the unlikely trio find themselves drawn into a chaotic maelstrom of violence, corruption, criminality, degradation and squalidness. In the face of the monstrous malaise and everyday horror of life in Russia, the gradual breakdown of the film’s anti-hero becomes a metaphor for Russian society.
