A runaway couple go on an unforgettable journey from Boston to Key West, recapturing their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.
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FBI agent Malcolm Turner and his 17-year-old son, Trent, go undercover at an all-girls performing arts school after Trent witnesses a murder. Posing as Big Momma and Charmaine, they must find the murderer before he finds them.
Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.
Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro.
It’s Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes’ number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes’ behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
Erwin wants to propose to Natalie, but encounters obstacles due to demands from his prospective in-laws. On the other hand, Koh Afuk urges Yohan and Ayu to have children soon.
The Etruscan Smile stars acclaimed British actor Brian Cox as Rory MacNeil, a rugged old Scotsman who reluctantly leaves his beloved isolated Hebridean island and travels to San Francisco to seek medical treatment. Moving in with his estranged son, Rory sees his life transformed through a newly found bond with his baby grandson.
An aspiring filmmaker learns that success in Hollywood doesn’t come as easy as she suspected as she attempts to discover the formula to success. When the guidance of her helpful has-been uncle fails to pave the way, Sarah Wilder must seek the advice of such Hollywood heavies as Mike Meyers, Ben Stiller, and Fred Willard — only to discover that the old adage is true and Nobody Knows Anything about how to succeed in the cutthroat world of Los Angeles.
At an elite New England university built on the site of a Salem-era gallows hill, three black women strive to find their place. Navigating politics and privilege, they encounter increasingly terrifying manifestations of the school’s haunted past… and present.
Sara’s dream of finding the perfect mate is realized when boyfriend Daniel proposes marriage, but there is one tiny hitch. It turns out he is the real-life prince of a small European monarchy, and his marriage requires the approval of his royal parents. Commoner Sara will have to do more than simply impress the in-laws-to-be. If she wants to become Daniel’s wife, she’ll have to prove she’s got all the makings of an honest-to-goodness princess.
A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
