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As the face of law enforcement in America for almost 50 years, J. Edgar Hoover was feared and admired, reviled and revered. But behind closed doors, he held secrets that would have destroyed his image, his career and his life.
A harried prehistoric bird mother entrusts her precious, soon-to-hatch egg to Sid. When she recommends him to her neighbours, business booms at his new egg-sitting service. However, dastardly pirate bunny, Squint, who is seeking revenge on the herd, steals, camouflages and hides all the eggs. Once again, with Squint’s twin brother assisting, Manny, Diego and the rest of the gang come to the rescue and take off on a daring mission that turns into the world’s first Easter egg hunt.
The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a scheming minister John Dudley marries off his son, Guildford to Lady Jane Grey, whom he places on the throne after Edward dies. At first hostile to each other, Guildford and Jane fall in love. But they cannot withstand the course of power which will lead to their ultimate downfall.
A floating space without gravity where an infinite number of lights shine in different colors: The “Box of Wisdom.” Inside of this box, there are multiple worlds, multiple timelines, and there used to be many different people. This is where Dual and Dorothy were fighting with enemies called “Viruses.” Worlds infected by viruses must be erased. That is the duty, the job of these girls. However, one day, Dual and Dorothy feel the presence of a new Virus. Arriving at the scene, they see a girl being attacked by Viruses. After saving the girl, the duo wait for her to awaken so they can ask who she is, where she came from, and where she is going. Finally, when the girl opened her eyes, she gave her name, Rimo, and whispered only one sentence… “I must return to the flower patch…”
Set in the year 2000 (between the events of Patlabor and Patlabor 2), when the level of Labor accidents begin to escalate around Tokyo Bay, police detectives Kusumi and Hata are assigned to investigate. What they discover leads to a series of government cover-ups, conspiracy concerning a new biological weapon entitled WXIII-Wasted Thirteen and a tragic, personal connection to Hata. The only hope to stop this threat is to cooperate with the military and lead WXIII into a showdown with the Labors of Special Vehicle Division 2.
A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.
Short – Audiences join two peculiar characters, an unusual dream therapist and his mysterious patient, as they dig up “live” spectacular reenacted classical myths with a variety of dragon species – Max von Sydow, Laurence Leboeuf, Serge Houde
Buddhism-themed Chinese-Indian historical adventure film based on Xuanzang’s seventeen-year overland journey to India during the Tang dynasty in the seventh century. Xuan Zang (c. 602 – 664), was a Chinese Buddhist monk, scholar, traveler, and translator who described the interaction between China and India in the early Tang dynasty. From boyhood, he took to reading religious books, including the Chinese classics and the writings of ancient sages. He later travelled throughout China in search of sacred books of Buddhism. Subsequently, he developed the desire to visit India. This is when he became famous for his seventeen-year overland journey to India, which is recorded in detail in the classic Chinese text Great Tang Records on the Western Regions.
A continuation of the epic adventure of plucky Riko and Reg who are joined by their new friend Nanachi. Together they descend into the Abyss’ treacherous fifth layer, the Sea of Corpses, and encounter the mysterious Bondrewd, a legendary White Whistle whose shadow looms over Nanachi’s troubled past. Bondrewd is ingratiatingly hospitable, but the brave adventurers know things are not always as they seem in the enigmatic Abyss.
A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers’ force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? “Sweetheart, come.” Written by
Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.
