Emmy-winning Israeli filmmaker Maya Zinshtein (Forever Pure) returns to the Festival with this riveting exposé that investigates the unlikely connection between Jews and evangelical Christians in the U.S. and Israel, and the startling hypocrisy at its core. From conversations with a devout pastor and his congregation in rural Kentucky to meetings with religious leaders in Washington D.C. and Israel, Zinshtein closely follows Chicago native Yael Eckstein, President and CEO of the influential advocacy group the International Fellowship of Christians and Jews, in her fundraising and coalition-building efforts. What she uncovers is a shocking alliance rooted in apocalyptic prophecy and driven in unprecedented ways by Donald Trump’s White House.

Rocket science meets the auto industry as “APEX” follows a thread that starts in the design studios and R&D labs where these “fighter jets of the street” are created, and leads to a perilous racetrack in Germany where drivers can reach new heights of speed and performance — if they dare. Equal parts human drama and speed, “APEX” follows Swedish entrepreneur Christian von Koenigsegg, a lifelong sports car enthusiast on a personal quest to build a “mega” car whose golden ratio defies all expectations for a hypercar’s velocity and power, while competing against the biggest names in motorsports for space on the world stage. With insights from top engineers and designers, “APEX” pulls back the curtain on the top-secret development facilities at Porsche, Ferrari, McLaren and Pagani, where awe-inspiring hypercars are imagined and built, and puts you inches from the action, as top drivers shake down the latest hypercars, flat-out on some of the world’s greatest racetracks.

The American writer Stephen King has been one of the world’s best-selling authors for decades. How can the overwhelming success of his numerous works be explained? Perhaps by the boundless inventiveness of his literature? And what else is behind the longevity of his astonishing career?

A big fan of The Beatles growing up in the 60s, Seth Swirsky noticed that whenever he heard someone relating a story about themselves and The Beatles, he was “all ears”. So, starting in 2005, he sought out and filmed those with never before heard, “Beatles Stories”. Written by Mike Pope

Jacques Peretti goes back to Jackson’s beginnings, charting his rise and fall and seeking a fuller picture of this complex, contradictory character by exploring the clues that were missed.

Comic Trevor Noah hosts the Grammy awards in Los Angeles, with top nominees including Beyoncé, Kendrick Lamar, Adele, Brandi Carlile, Mary J. Blige, DJ Khaled, Terius andquot;The-Dreamandquot; Gesteelde-Diamant, Randy Merrill, Harry Styles and …

Emmy and Grammy nominated comedian Tig Notaro returns with a hilarious and sharply observed stand-up special packed with delightfully awkward misunderstandings, health scares made hilarious, and family moments with her wife and children that are simultaneously sidesplitting and heartwarming. With her signature delivery and celebrated gift for storytelling, Tig’s new hour hits all the right notes.

Documentary about Paul Williams

With a single abortion clinic remaining in the state of Mississippi, the city of Jackson has become ground zero in the nation’s battle over reproductive health-care. Jackson is an intimate portrait of the interwoven lives of three women in this town. Wrought with the racial and religious undertones of the Deep South, the lives of two women are deeply affected by the director of the local pro-life crisis pregnancy center and the movement she represents.

Documentary about the Mekons.

Bill Bellamy’s groundbreaking comedy tour brings together some of today’s hottest male comics on showcase for the ladies of America. Featuring comics Ali Siddiq, Jay Reid and D’Lai.

The Boat that Rocked is an ensemble comedy, where the romance is between the young people of the 60s, and pop music. It’s about a band of DJs that captivate Britain, playing the music that defines a generation and standing up to a government that wanted control of popular culture via the British Broadcasting Corporation. Loosely based on the events in Britain in the 60’s when the Labour government of Harold Wilson, wanted to bring the pirate stations under control, enough to see the passage of the Marine Broadcasting Offences Act on 15 August 1967