Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world’s most mythic, alluring and exoticized cities.
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In the 19th century, the Prince Regent of the Qing Dynasty orders the mass execution of the entire Meng clan. Before his beheading, the leader vows that his family will avenge this travesty of justice. Awaiting his death, a five-year-old Meng boy named Erkui bravely sings an aria. The power and purity of his voice touches the opera star Master Yu and his seven-year-old pupil Guan Yilong. Master Yu rescues the boy and the two orphans become brothers. Years later, Master Yu wins the coveted golden “The Mightiest Warrior” plaque from the Prince Regent, but subsequently loses it in a duel with his archrival Master Yue. Banished from the stage upon his loss, Master Yu spends his time training the two brothers in the village. When the boys grow into men, they set off for Shanghai to pursue revenge. Once they reach Shanghai, they quickly defeat Master Yue, reclaiming not only the plaque but also taking over the Yue’s opera troupe.
Fifteen years ago Andrey graduated from a Secret Service school under the guidance of his father, that trained teenagers to be agents for the Foreign Intelligence Service. When this experimental school is closed, he settles in Europe and cuts ties with Russia. One day his father who was believed to be dead calls him to warn him that some security forces want Andrey dead so he must run and hide. While on the run Andrey finds Masha, his ex-classmate from the Secret Service school. He faces love and betrayal and learns the real scale of the ruthless spy game that he was dragged into against his will.
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
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This 1960 thriller, set in London, stars Doris Day as a wife who begins to unravel when she receives threatening telephone calls informing her she’s soon to be murdered.
Samba migrated to France 10 years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burnout. Both struggle to get out of their dead-end lives. Samba’s willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together.
The story of Alana Kane and Gary Valentine growing up, running around and going through the treacherous navigation of first love in the San Fernando Valley, 1973.
Pierre Blum, 40, is a writer who had his time of glory in the early 2000s. One evening, on a casino terrace, he meets Joseph Paskin. This mysterious man, charismatic and manipulative, is influential in the world of politics and persuades Pierre to take on a strange mission that takes him back to a past he’d prefer to forget, and puts his life in danger. In the middle of all this, Pierre falls in love with Laura, a young extreme-left activist. But in this world of subterfuge, who can really be trusted?
Cassandre, 26, is a flight attendant for a low-cost airline. Based in Lanzarote, she’s always willing to take on extra hours and carries out her duties with robotic efficiency. On the side, she just goes with the flow and floats between Tinder, parties and lazy days. When she suddenly gets dismissed, she is forced to return home.