A posse’s pursuit of bank robbers ends with loot missing and a sheriff (Broderick Crawford) wounded.
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A former Union Army officer plans to sell out to Anchor Ranch and move east with his fiancée, but the low price offered by Anchor’s crippled owner and the outfit’s bullying tactics make him reconsider. When one of his hands is murdered he decides to stay and fight, utilizing his war experience. Not all is well at Anchor with the owner’s wife carrying on with his brother who also has a Mexican woman in town.
When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. It’s just prior to the civil war and there is already a sharp division in the Territory as to whether it will remain slave-free. When he gets the opportunity to run for marshal, Seton finds himself running against the respected local schoolteacher, William Cantrell. Not is what it seems however. While acting as the upstanding citizen in public, Cantrell is dangerously ambitious and is prepared to do anything to make his mark, and his fortune, on the Territory. When he loses the race for marshal, he forms a group of raiders who run guns into the territory and rob and terrorize settlers throughout the territory. Eventually donning Confederate uniforms, it is left to Seton and the good citizens of Lawrence to face Cantrell and his raiders in one final clash.
As American settlers encroach on the lands of the Lakota people, Tokei-ihto witnesses the murder of his father at the hands of Red Fox, who wanted information on where the tribe finds its gold. Two years later, at the height of the Great Sioux War, Tokei-ihto and Red Fox meet again.
Set in a small town in the backwoods of Kentucky, RED RIVER tells the tale of Roland Thatcher: a family man, a business man, a man of God…and a man who doesn’t take kindly to strangers. When a group of city kids sets up camp on the outskirts of his property, they spark a chain of events culminating in bloodshed, dismemberment and mass murder. As a local, fledgling reporter inches closer to the Thatcher property, the shocking truth about Roland and his ‘family’ may finally emerge…
It’s 1878 and Jake Kincaid has just been released from prison for a crime he didn’t commit. His heart is seeking vengeance on those responsible for landing him in jail but hes also very interested in finding the gold he was accused of stealing.
The townsfolk are set on lynching an accused killer held in the town lockup. But US Marshal Johnny Reno stands in their way.
Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
Renegade Confederate soldiers take over a frontier town, but after they molest a young black woman, a group of ex-slaves arm themselves and counter-attack.
A cowboy rides into a small town that is ruled with an iron fist by a corrupt sheriff. He becomes involved with a pretty young town girl and some residents who are trying to oust the sheriff, resulting in a robbery, a murder and his being pursued by a vengeful posse.
A former Confederate marauder tries to make a clean start on a Texas dirt farm with his wife and young daughter. He quickly learns that sometimes the past just won’t stay buried.
Chingachgook, a Mohawk-born Delaware warrior, strives to rescue his wife Wahtawah from the clutches of an enemy camp of Huron. Joined by his trusted huntsman Deerslayer, the two confront racist pioneers and brutal British soldiers in their quest. Deerslayer catches the desire of Judith and thus the jealousy of her suitor, Harry. The action of the story functions like a seesaw, characters continuously traveling back and forth between a house on the lake and the Huron camp until the violent climax.
