A youthful perspective on the 1992 presidential campaign with a witty, cautionary message to young Americans to start participating in democracy or get the kind of government they deserve.
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An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.
Contact with family members is vital for maintaining the emotional and social ties of those who are deprived of their liberty. Those who have the right to visits and those who have someone to visit them await that moment with hope…
Tim Burstall directs then-up-and-comers Mel Gibson and Sam Neill in this action-packed Cannes Film Festival selection about the grim realities of World War II, a gritty drama based on actual events. Sent to rescue survivors from the site of a plane crash in the South Pacific, Capt. P.G. Kelly (Gibson) and his elite squad of Australian commandos must keep tabs on a defecting Japanese official who could hold the secret to peace.
Phar Lap, the big bold chestnut reigned as the king of the turf in the depression that gripped Australia of the 1930s. From his humble beginnings the New Zealand bred horse raced on to become the hero of a nation.
In 1883, the Apache Indians lead by Geronimo reluctantly surrender to the attacks of American and Mexican troops, in exchange for a territory and food for their warriors. Soon though, Geronimo escapes the camps and declares war against the Americans.
In a segregated Texas, five Mexican-American teenage caddies were prohibited from playing at the country club where they worked. Against all odds, they formed their own team, built a one-hole course in the fields, and won the 1957 Texas State championship. Based on a true story.
This Academy Award-winning documentary short Paul Robeson: Tribute to an Artist, narrated by Sidney Poitier, traces the career of Paul Robeson through his activism and his socially charged performances of his signature song, “Ol’ Man River.”
Fashion designer John Galliano was widely recognized as one of the most successful names in 1990s and 2000s couture, until his career abruptly ended when he was caught on camera in 2011 hurling antisemitic and racist insults at bystanders in Paris.
A journey through the masterpieces and obsessions of the Genius of the Impressionism, down the River Seine, from Le Havre to Paris and then up the river towards Argenteuil, Poissy, Vétheuil, Giverny – ending in Paris. A tour of the Museums displaying Monet’s masterpieces: the Orangerie Museum, the Marmottan Museum, the Orsay Museum, ending in Monet’s house and gardens at Giverny.
The Rise of OnlyFans is an illuminating documentary that provides a comprehensive exploration of the unprecedented growth and cultural impact of the groundbreaking platform, OnlyFans.
Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.
After years on the road establishing his reputation as Japan’s greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region’s finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school’s followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.