The basic story in Love under the Crucifix is about Ogin, daughter of a tea master, who are both Christians in feudal Japan. Ogin falls in love with a feudal prince, also a Christian who is already married, and that creates problems. Further, when the Shogun bans Christianity, the situation worsens.

Katie (Lucy Hale) and Sara (Phoebe Strole) have been friends since childhood. They enter college together, where Katie is a prized legacy candidate for the Delta sorority, which was co-founded decades ago by her mother, Lutie (Courtney Thorne-Smith) and Summer (Faith Ford), whose own daughter Gwen (Amanda Schull) now leads the Deltas on campus. Events occur during pledge week to cause a rift between Katie and the Deltas, which leaves Sara as a Delta pledge and Katie out in the cold. Katie joins the rival Kappa sorority, and the rivalry splits not just Katie and Sara, but extends all the way into the Delta alumnae association led by Lutie and Summer.

A bored Japanese accountant sees a beautiful woman in the window of a ballroom dance studio. He secretly starts taking dancing lessons to be near her, and then over time discovers how much he loves ballroom dancing. His wife, meanwhile, has hired a private detective to find out why he has started coming home late smelling of perfume.

When a wealthy businessman learns of his daughter’s sudden engagement to a missionary, he embarks on a quest to keep her closer to home, but when his efforts go awry he must reconsider what it means to be a strong father.

A Japanese porno actor, HIV positive, commits suicide. Natsumi, a popular porno actress who has often worked with him, learns that she is also HIV positive and becomes desperate. She receives mysterious post cards at times from Taiwan, and decides to go to Taiwan to solve the mystery. The latest film by director PAN Chih-yuan of “The Touch of Fate”, which brought him multiple nominations at the Golden Horse Awards. LEE Kang Sheng, Golden Horse Awards’ Best Actor winner, plays the leading role. Co-star HATANO Yui gives a wonderful performance in her debut feature.

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

Escape from Alcatraz tells the story of the only three men ever to escape from the infamous maximum security prison at Alcatraz. In 29 years, the seemingly impenetrable federal penitentiary, which housed Al Capone and “Birdman” Robert Stroud, was only broken once – by three men never heard of again.

A psychological experiment between two friends spirals out of control. How bad could it be?

Emma has built a successful lifestyle website that she puts her heart and soul into called “Classically Emma”. But when her numbers start trending down, she thinks she might’ve found her fix in a partnership with an ambitious millennial named Jill who has her own dreams.

A new school year, his brother Rodrick teases him over and over and over and over again. Will Greg manage to get along with him? Or will a secret ruin everything?

Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life’s measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary – that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.

Set in a post-Troubles Northern Ireland, The Truth Commissioner follows the fictional story of Henry Stanfield, played by Roger Allam, a career diplomat who has just been appointed as Truth Commissioner to Northern Ireland. Eager to make good as a peacemaker, the Prime Minister urges a commission following the South African model of Truth and Reconciliation. But, though Stanfield starts bravely, he quickly uncovers some bloody and inconvenient truths about those now running the country; truths which none of those in power are prepared to have revealed.