After a job goes sideways, four thieves bounded by honour meet back at the place it all began, the local boozer. Drink, drugs, jokes, reminiscing about old times and even politics, you would think this was a standard night in any South London drinking establishment however beneath the banter lies a dark secret that will test the loyalty of these four friends to the limit to see if there really is honour amongst thieves.
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The Swede (Marlon Brando), a prison warden, rules his family and his prison with an iron hand in one of the coldest parts of North Dakota. When an inmate dies under mysterious circumstances, however, the FBI sends in agent Karen Polarski (Mira Sorvino) to investigate. On the home front, the sons-in-law of the Swede, Larry (Thomas Haden Church) and Bud (Charlie Sheen) accidentally discover that a train loaded with millions of dollars of unmarked currency slated to be destroyed will soon be passing through. The temptation is too great and the guys hatch a scheme to rob the train. Of course, the biggest obstacle in their way is the Swede.
Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.
An ex-con sets out in search of his kidnapped sister through the criminal underbelly of Shreveport, Louisiana.
A former child art prodigy and second generation petty thief arranges to buy his way out of prison to spend time with his ailing son, only to be forced to alter his plans and commit one more job for the man who financed his release.
Protagonist Katsutoshi leaves town after a fight at work, and seeks refuge at a salon run by Seikichi, his Tokyo-based old friend, called “Tokyo Playboy Club.” Meanwhile Eriko, the girlfriend of a waiter at the salon, finds herself forced to work there as a hostess after he gets into a bit of trouble. Then one day Katsutoshi brawls with a lowly neighborhood gangster, beating him to a pulp. The incident causes him, Seikichi, and Eriko to become embroiled in an even graver situation….
A modern take on the classic fairytale, Alice in Wonderland, set in South East England.An American law student in London. Knocked down by a black cab, she wakes with amnesia in a world that’s a million miles from home – Wonderland. We follow her adventures as she’s dragged through an underworld filled with twisted individuals and the lowest low-lifers, by the enigmatic cab driver, Whitey. She needs to find out who she is, where she’s from and use what wits she has left to get back home in one piece. As her journey progresses she discovers nothing is what it seems, realizes that fate and life are terminally entwined, and finds true love lurking in the unlikeliest place.
Arthur Bishop is a ‘mechanic’ – an elite assassin with a strict code and unique talent for cleanly eliminating targets. It’s a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when he is ordered to take out his mentor and close friend Harry, Bishop is anything but detached.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
A young drifter, struggling to makes ends meet, accepts a job to kill a prominent accountant. When he isn’t paid for the hit, revenge is now his path.
A former gang member and her young cousin become embroiled in a vendetta between L.A. gangs, as rivals seek revenge for old crimes.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
