A backwoods bootlegger decides to put the driving skills he developed evading the law to good use. He becomes a race car driver, and eventually, one of the fastest drivers in history.
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An emotional thriller based on a road trip from Mumbai to Pune. Inspired from the real events that happened in Chennai.
Blown Away tells the story of Jimmy Dove who works for the Boston bomb squad. Shortly after Dove leaves the force his partner is killed by a bomb that Dove thinks might have been made by someone he knows.
Yusaku Hayakawa dreams of becoming a detective, but works as a trainer for police dogs. When Yusaku gets an albino shepherd named Shiro, he forms a special bond with him. Everyone says that Shiro does not have the abilities to become a police dog, but Yusaku believes in him and trains him. When a terrorist act occurs, Shiro gets the chance to show what he has learned.
Concert pianist Henry Orient (Peter Sellers) is trying to have an affair with a married woman, Stella Dunnworthy (Paula Prentiss), while two teenage private-school girls, Valerie Boyd (Tippy Walker) and Marian Gilbert (Merrie Spaeth), stalk him and write their fantasies about him in a diary. Orient’s paranoia leads him to believe that the two girls, who seem to pop up everywhere he goes, are spies sent by the husband of his would-be mistress. When Val’s mother, Isabel Boyd (Angela Lansbury), finds their diary, she suspects that Henry has acted inappropriately with her daughter. She contacts Orient and they end up having an affair. Val finds out about it, as does her dad.
Jay is a man with a secret who travels from Britain to Pakistan to attend a wedding—armed with duct tape, a shotgun, and a plan to kidnap the bride-to-be. Jay and his hostage end up on the run across the border and through the railway stations, back alleys, and black markets of New Delhi.
In the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
In the northern Chinese city of Manzhouli, they say there is an elephant that simply sits and ignores the world. Manzhouli becomes an obsession for the protagonists of this film, a longed-for escape from the downward spiral in which they find themselves.
When a young man is arrested for dealing drugs, his girlfriend tries to help him out by making some big money as a member of an exclusive group of prostitutes.
A disconnected teenage girl enters a relationship with a man twice her age. She sees him as the solution to all her problems, but his intentions are not what they seem.
