Tiny Soviet village by the sea, in the years before the Second World War… A very young girl, Vera, falls madly in love with an older military officer who is visiting from out of town. She leaves her home and family to live with him in various military posts where he serves with the army. Through the difficulties of army life, and years of war, her love for this older man survives, and she gives herself completely without reservation. This film is about friendship, loss, survival, loyalty, and the wonderful gift of unconditional love, which is only given to a few.

An attempt to re-contextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence.

In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one’s life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine in director D.W. Griffith’s controversial Civil War epic. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie’s congressman father and his African-American protégé, Silas Lynch.

To free his girlfriend from her contract with a greedy madam, Shang Li (Don Wong) teams up with a cold-blooded thief called the Sparrow (Chiang-lung Wen) to hijack a large shipment of silver. But when the heist suddenly goes bad, Shang Li finds himself with blood on his hands and a price on his head. Martial arts superstars Angela Mao and Lieh Lo also star in this kung fu classic from writer-director Pao-Shu Kao.

White Water is the story of a 7 year-old black kid in segregated 1963 Opelika, Alabama who becomes obsessed with the desire to taste the water from the “white’s only” drinking fountain and sets out on a quest to do the unthinkable: drink from it.

Saint Street is a classic American Christmas tale for the entire family. The story follows Percy who is a good man, but has found himself caught up in the riches of the world and is neglecting his most prized possession – his family. Christmas Eve has arrived and Percy is still hard at work late into the night, once again breaking his promises to his wife and kids that he would leave early so that they could drive to their traditional family Christmas party. After being warned time and again to change his ways from a heavenly being from beyond, Percy is about to experience some grave consequences for his actions. In a series of tragic events, Percy faces humble circumstances after losing everything in a car accident – his family, job and home. Paralyzed from the waist down and confined to a wheelchair, he is forced to be homeless and live in the gritty world of misfits on Saint Street.

One of Cannon Films’ two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini’s Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom’s maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O’Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi’s fine musical score, but the film is otherwise anemic.

When Gabino’s father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda’s exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.

Lee Jang-hwan receives widespread acclaim and media attention after successfully cloning human embryo stem cells. A TV news program PD, Yoon Min-cheol, receives a phone call from an anonymous source who says he has worked with Dr. Lee on the stem cell project. The source blows the whistle on Lee’s work, revealing how Lee fabricated research results and engaged in unethical practices.

Held captive in a futuristic smart house, a woman hopes to escape by befriending the A.I. program that controls the house.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.