Three adult siblings return to their childhood home, where their parents were allegedly murdered many years ago. Their plan is to get the house and estate ready to be sold but an evil force tries to prevent them from doing so.
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Although he is only ten years old, Jack is responsible for himself and his little brother Manuel and this fills him with pride. Their single mother works during the day and often goes out at night. There’s no father in sight. One day, Manuel burns himself with boiling hot water while bathing and Jack is blamed for the incident. It’s reason enough for social services to put him in a home where he is dreadfully homesick. He soon gets into trouble and bolts, heading for home. He arrives back, only to find his mother is once again absent. Jack and Manuel roam the city in search of her. They sleep in parks and in an underground car park, run away from the police and encounter adults, some of whom help and others who are indifferent.
Laurie, a good-natured college student, embarks on a spring break vacation with her friends Faith, Joey, and her boyfriend Mick. They get off on the ghostly Exit 14 where they befriend a mysterious store clerk and are haunted by the ghost story he shares with them.
The current educational system in the United States was developed a century ago during the rise of the industrial age and was once the envy of the world. However, the world economy has since transformed profoundly, but the US education system has not. Schools are attempting to teach and test skills, when mastered, that still leave graduates woefully unprepared for the 21st Century. After presenting this problem, the documentary focuses on the story of a school in San Diego that is completely rethinking what the experience of going to school looks like. As we follow students, parents and teachers through a truly unorthodox school experience, the audience is forced to consider what sort of educational environment is most likely to succeed in the 21st century?
Samuel Allen’s life collapses, but he wants to pursue his childhood goals and become a preacher. To do this, the rock n roll star has to fight against his past demons.
Two families from opposite ends of the political spectrum turn on each other after a cabin rental mix up, but must work together to survive after a sinister group emerges with an ancient pact.
A searing portrait of war and prejudice, ‘Only the Brave’ takes you on a haunting journey into the hearts and minds of the forgotten heroes of WWII – the Japanese-American 100th/442nd.
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.
Specialists gather in a top-secret facility to investigate a series of strange deaths on beaches along the Atlantic Ocean. One of the team’s scientists (Nana Gouvea) examines video evidence to uncover a possible parasitic explanation for the fatalities. But when a determined detective (Tom Sizemore) sends her the crazed writings of a mysterious homeless man (Jonny Beauchamp), the scientist slowly learns that the actual threat may be more dangerous — and far older — than anyone ever imagined. Can she convince her colleagues (led by Eric Roberts) of the true danger before an ancient force rises from the sea to bring madness and death to all of humanity?
The story of Henry, a stand-up comedian with a fierce sense of humour and Ann, a singer of international renown. In the spotlight, they are the perfect couple, healthy, happy, and glamourous. The birth of their first child, Annette, a mysterious girl with an exceptional destiny, will change their lives.
Overachieving actress, Rebecca (Moore), must come to grips with her failing marriage to stay-at-home dad, Tom (Duchovny). While Rebecca’s slacker brother, Tobey (Billy Crudup), can’t seem to commit to his aspiring-novelist girlfriend, Elaine (Maggie Gyllenhaal). As both relationships spin out of control, the two couples embark on a quest to rediscover the magic and romance of falling in love in New York.
Following the death of her estranged father, Iris learns she has inherited a run-down, centuries-old pub. She travels to Berlin to identify her father’s body and meet with The Solicitor to discuss the estate. Little does she know, when the deed is signed she will become inextricably tied to an unspeakable entity that resides in the pub’s basement – Baghead – a shape-shifting creature that can transform into the dead.
