The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
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A successful high-end fashion photographer scouts a new model, who watches as their instant connection leads to dangerous consequences.
In his need for self-identity, a filmmaker confronts his mother, a former political activist in the Philippines, about his feelings of abandonment as a child.
Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow’s help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.
Teenager James Greville has lived in children’s homes his whole life, so he is surprised when a Great Uncle invites him to his country manor for a holiday. While exploring the sprawling Greville Lodge he soon discovers that it has many secrets.
The story of a black lesbian’s relationship with a white, upper middle class high school girl.
Judit Ember returns to follow the life of Nóra Szabó, the heroine of her documentary film 𝘛𝘢𝘯𝘵𝘰̈𝘳𝘵𝘦́𝘯𝘦𝘵 (“Instructive Story”, 1975). The troubled young woman who formerly attempted to commit suicide by jumping off a fourth floor is now an unmarried and pregnant mother with two children. Her own mother also brought up her children in similar circumstances, in a closed community without men. But Jenő, the unflaggingly energetic labourer and father of Nóra’s third, as yet unborn child, brings change into their lives.
Ethan, a magician rendered paralyzed in an accident, sets off a furor when he makes a petition to the court to end his own life.
Abila (14) lives in one of the most miserable slums in Africa. His girlfriend Shiku belongs to a different tribe, as the result of which he is not really allowed to fraternize with her. And then one drunken night his father gambles away his own soul.
Fresh out of prison, Pat Tate steps right back into his Essex nightclub. But still disgruntled, he soon sets out to Marbelle to revenge those that put him away for five years. While in Spain, Pat cannot turn away from the opportunity to score the biggest drug deal of his life. All he needs is for his Essex pals Tony and Craig to deliver the cash to Marbella to close the deal. But Craig, useless as ever, turns a simple plane trip to a massive road trip packed with trickery and danger. And Tony is more worried about making it back to England as he has promised to support his best friend Nigel Benn at the boxing match of his life. While waiting in Marbella, Pat proceeds with the violent revenge he has craved for years. Revenges are made and Tony and Carlton walk Nigel Benn out to what turns out to be one of the most tragic fights in history. But the drugs they bring back seems to be a bad batch and cause them more trouble than they have ever anticipated before.
JW is serving hard time in prison and struggling to get back on an honest path. There are glimmers of hope in his life – some venture capitalists are interested in a new piece of trading software he’s developed, and while behind bars he’s made peace with an old enemy. This all proves to be an illusion. On leave from prison, and back in contact with his former gang, JW learns that once you’ve walked in the shoes of a criminal there just may be no going back.
This film explores the daily lives of two aging, eccentric relatives of Jackie Kennedy Onassis. Edie Bouvier Beale and her mother, Edith, are the sole inhabitants of a Long Island estate. During the course of the documentary, they discuss their habits, desires and former loves with filmmakers Albert and David Maysles. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.