The Fight of Our Lives – Defeating the Ideological War Against the West is a hard-hitting new documentary film by Gloria Z. Greenfield that examines the internal and external threats facing the West. “There are two threats facing the West, and they are linked. There’s the threat from within, and the threat from without,” states Melanie Phillips. “And the threat from without is made much more threatening by the threat from within.”

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A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers and luxuriates in the language and the theater of their debates, begging the question, ‘What has television done to the way we discuss politics in our democracy today?’

Journalist Jenny Eliscu and filmmaker Erin Lee Carr investigate Britney Spears’ fight for freedom by way of exclusive interviews and confidential evidence.

The story of Walter L. Shaw, a telecommunications genius, and his son Walter T. Shaw, a ruthless jewel thief, is a metaphor and a symbol for its time – for the twentieth century and for today.

The Xbox Originals documentary that chronicles the fall of the Atari Corporation through the lens of one of the biggest mysteries of all time, dubbed “The Great Video Game Burial of 1983.” Rumor claims that millions of returned and unsold E.T. cartridges were buried in the desert, but what really happened there?

“In 1946, my great-grandfather murdered a black man named Bill Spann and got away with it.” So begins Travis Wilkerson’s critically acclaimed documentary, DID YOU WONDER WHO FIRED THE GUN?, which takes us on a journey through the American South to uncover the truth behind a horrific incident and the societal mores that allowed it to happen. Acting as narrator and guide, Wilkerson spins a strange, frightening tale, incorporating scenes from TO KILL A MOCKINGBIRD, the music of Janelle Monáe and Phil Ochs, and the story of Rosa Parks’ investigation into the Recy Taylor case, as well as his own family history, for a gripping investigation into our collective past and its echoes into the present day.

Louis Ortiz, a down on his luck 40-something Puerto Rican resident of the Bronx, looks in the mirror one day and believes he’s found gold—he’s a dead ringer for Barack Obama. With visions of finally living the American Dream, the charismatic Ortiz launches a complete makeover. He dons Obama’s trademark suit, adopts his mannerisms, mimics his voice and steps out onto the street as a presidential impersonator. Taken on by a casting agent, Ortiz and a gang of other political impersonators, including a Bill Clinton and a Mitt Romney, hit the road during the run-up to the 2012 presidential election to perform satirical debates for mostly Republican conventions, throwing Ortiz into conflict with his personal political beliefs. As Ortiz struggles to make ends meet, the distance between the White House and the Bronx becomes increasingly acute. The life of a president isn’t always as easy as it looks.

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The Shannon is Ireland’s greatest geographical landmark and longest river. It is both a barrier and highway, a silver ribbon holding back the rugged landscapes of the west from the gentler plains to the east. On its journey south, the Shannon passes through a huge palette of rural landscapes, where on little-known backwaters, Ireland’s wild animals and plants still thrive as almost nowhere else. For a year, wildlife cameraman Colin Stafford-Johnson lives on the river, camping on its banks, exploring its countless tributaries in a traditional canoe, following the river from dawn to dusk through the four seasons, on a quest to film the natural history of the Shannon as it has never been seen or heard or experienced before.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

‘The Hurt Locker’ meets ‘An Inconvenient Truth’, THE AGE OF CONSEQUENCES investigates the impacts of irreversible climate change, resource scarcity, mass migration, and pandemic conflict through the lens of US national security and global instability.