A live video album by American rock band The Killers. The album is pulled from two nights the band performed at the Royal Albert Hall in July 2009, and also includes footage from festival dates the band headlined during the middle months of 2009.
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Deloris Van Cartier is again asked to don the nun’s habit to help a run-down Catholic school, presided over by Mother Superior. And if trying to reach out to a class full of uninterested students wasn’t bad enough, the sisters discover that the school is due to be closed by the unscrupulous local authority chief Mr. Crisp.
Joe Arroyo and his musicians will embark together on this psychedelic journey through various hotel rooms. Rebelión is the portrait of a genius in the depths of his intimacy, the throb of a soul in love and tormented by that great love: music. It is a timeless journey through his life, passing through the dark and lonely place where the creative act happens, where his talent is on the surface and his emotions are free, as well as his whims. The story takes place in hotel rooms, overflowing with chaos and the genius of Joe. A hotel room that are many and that, in turn, contains the agony of the genius who sabotages everything he loves to remain free.
Pulp found fame on the world stage in the 1990s with anthems including ‘Common People’ and ‘Disco 2000’. 25 years (and 10 million album sales) later, they return to Sheffield for their last UK concert. Giving a career-best performance exclusive to the film, the band members share their thoughts on fame, love, mortality — & car maintenance. Director Florian Habicht (Love Story) weaves together the band’s personal offerings with dream-like specially-staged tableaux featuring ordinary people recruited on the streets of Sheffield. Pulp is a music film like no other — by turns funny, moving, life-affirming & (occasionally) bewildering.
It combines visual effects, daring stunts, underwater photography and a shockingly bold visual style. It is an ode to all things we love about skateboarding. The film follows a day in the life of Gino Iannucci and his friends as they skate the streets of Los Angeles, turning each neighborhood into a unique playground. During an epic backyard pool session, Gino’s world is turned upside down when a skating accident sends him off into a surreal dream where nothing is as it seems.
An aspiring recording artist, Adam, is burned by a bad relationship experience and decides that if women won’t respond to the “nice guy” then he’ll be “the jerk.” This is wildly successful with meaningless relationships, but when Adam meets and falls for Molly, who doesn”t fall for his jerk routine, Adam is forced to reconsider his dating philosophy.
Under the direction of founder and world-renowned DJ Peanut Butter Wolf, Stones Throw Records has consistently released critically acclaimed, left-of-center albums since its founding in 1996. Drawing on live concert footage, never-before-seen archival material, inner-circle home video and photographs and in-depth interviews with the folks who put Stones Throw on the map, this documentary will delve deeper into the label’s enigmatic artists, history, culture and global following.
When the idealistic Paula resumes her work as a volunteer doctor in the Amazon, Teto convinces his partners to establish their tomato cooperative in a village in the region. But to win back Paula’s heart and save the company from bankruptcy, Teto must definitely overcome his spoiled playboy habits and face the interests of a powerful farmer, who stands in his way.
Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for the Runaways — the now-legendary group that paved the way for future generations of female rockers. Under the Svengalilike influence of impresario Kim Fowley, the band becomes a huge success.
New Zealand’s 4th Most Popular Parody Duo are back for a mutha-uckin’ special concert live at the London Apollo.
After a lifetime of hiding, Chely Wright becomes the first commercial country music singer to come out as gay, shattering cultural stereotypes within Nashville, per conservative heartland family and, most importantly, within herself. With unprecedented access over a two-year period, including her private video diaries, the film layers Chely’s rise to fame while hiding in the late 90’s with the execution of her coming out plan, culminating in the exciting moment when she steps into the media glare to reveal she is gay. The film shows both the devastation of internalized homophobia and the transformational power of living an authentic life. The film also documents the conflicting responses from Nashville, the heartland and the LGBT community as Chely Wright prepares for an unknown future.