Six Californians start a club to discuss the works of Jane Austen. As they delve into Austen’s literature, the club members find themselves dealing with life experiences that parallel the themes of the books they are reading.
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With only three days to prove his innocence, a struggling ex-soldier (Derek Davenport) is forced to take one last job and save his client’s kidnapped daughter (Amelia Haberman) or face time for a crime he did not commit.
Nineteen-year-old Viorel lives with his mother in a remote Moldovan town. He has no great ambitions nor any illusions about life. He and his pal Goos earn a little cash through illegal activities, and Viorel is helping him fulfill his dream of flying. His mother tries to convince him to find a decent job. Eventually, Viorel begins taking control of his life.
Piet, who is studying computer science, is as inexperienced sexually as he is intelligent. When he notices that his feelings for Klara, a fellow student, are not really reciprocal, he is deeply hurt. After trying out sleeping pills on himself, he drugs Klara, with unexpected consequences.
In the rebellious northern frontier province of colonial India, British Army Captain Scott, a young prince and the boy’s governess escape by an obsolete train as they are relentlessly pursued by Muslim rebels intent on assassinating the prince.
Deneuve plays sassy grandmother Bettie who takes to the road after being betrayed by her lover and learning her business is on the verge of bankruptcy on the same day. During a weeklong odyssey across France, she spends time with a grandson she hardly knows and reconnects with her past as former Miss Brittany through a reunion for former beauty queens.
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
A veteran police detective becomes a criminal justice teacher and baseball coach at a local high school, leading him to the most important investigation of his life. Inspired by true events.
Troubling circumstances bring forward three women who work together to plot their revenge against one common man who is responsible for destroying their lives.
The tomboyish, outgoing Julieta is the daughter of a member of the Palmeiras soccer club board. She is constantly frustrated by what she sees as institutional bias against women in soccer. One day while watching her beloved Palmeiras, she is struck by a handsome man, Romeu, that she sees rooting for the Palmeiras’ chief rivals, the Corinthians. After meeting the same man again in the middle of eye exam, Julieta and Romeu quickly become a couple. However, in order to avoid incurring the wrath of her parents, Romeu is forced to pretend to be an adoring Palmeiras fan, an increasingly difficult task for the die-hard Corinthiano.