Fleeing an arranged marriage in China, the independent Peony signs a contract to work as a “flower girl” in America, where she meets Tom, an American Born Chinese cook whose father works on the Transcontinental Railroad. Thwarted by a Hong Kong Triad boss seeking to extend his power into America, theirs is the tale of the first great Chinese immigration to the United States – a story of romance, bigotry, passion, food and a search for everlasting love – set against the largest mass lynching in American history, in Los Angeles’ Chinatown, in 1871.
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Needing a sudden escape from the city, Robbie leaves Brooklyn to stay in the Hudson Valley with his aunt, who runs a home for pregnant teens. As the only man in the house, Robbie captures the attention of many of the girls, and when he strikes up a friendship with Nina, who is dealing with her own relationship troubles, tensions run high in the house. In trying to stop Nina from making the biggest mistake of her life, Robbie finds himself caught in a love triangle between Nina and her baby daddy, Chase.
Following the success of his first feature “Django”, Étienne Comar confronts with “Singing Jailbirds” the life in a prison for women with music and its capacity to unite people and a repertoire of international songs.
Acclaimed for his unfiltered reporting and deadpan humor, Andrew Callaghan brings his gonzo style reporting to the undercurrents that led to the January 6 Capitol Riot. As one of the best-known and hardest working journalists of his generation, the 25-year-old ventures on a wild RV journey through America to take the pulse of a divided nation.
Marcus Wright (Daniel Dambroff) is in love with Gabby (Elise McNamara). A devastating accident nearly kills her and renders her in a vegetative state. She can no longer walk or talk. Marcus is determined to make good on his promise to marry her. He is not only challenged by this unfortunate event but is made to jump many unexpected hurdles, including fending off Gabby’s mother Sandra (Aria Mckenna), who clings to Marcus and takes her relationship with him beyond both of their boundaries. Marcus then meets Elliot Thurston (Christopher Clawson), a published author who wrote the novel “Brilliant Mistakes,” a story about the author’s personal regret. Marcus is a big fan of Elliot’s positive energy and subsequently his writing, and a bond of common loss, dreams and goals ties them together. While Elliot brings color and life to Marcus’ seemingly uncertain future, something is wrong and Marcus’trust in others is yet again weakened.
The lives of an addict, a Luchador, a cartel organ smuggler, and an ex-con collide in this wildly original crime/drama/blacker-than-black comedy/thriller that’s as informed by Mexican subcultures as it is by American cinema.
When Seth receives a mysterious letter inviting him to spend the weekend at a secluded mansion in the country, he soon realizes the people inside the house may know him better than he knows himself.
After her father’s death, a cop returns to the small town (and its secrets) she left behind.
A swashbuckling heritage reveals itself as the adopted son of 19th-century Spaniards develops into a suave lady-killer.
Young gangster Chas Devlin seeks refuge from the mob in a basement belonging to a reclusive, fading rock star Turner.
Jean has not spoken to his mother for 5 years. However, she has just committed suicide and he has to return to Belgium to settle his estate. While she bequeaths him an antique mirror of great monetary and sentimental value, he will have to deal with his mother’s very young husband, Fabrice, and his mother, who are hindering his efforts to get it back. Through this quest for the mirror, Jean will have to free himself from a past that haunts him by making peace with what his mother left him.
A salaryman faces a major life change as his firm undergoes financial difficulties. To add to his troubles, a man claiming to be his long-estranged father shows up at his house requesting shelter. One of the best of Somai’s seriocomic studies of the messiness of family life.
Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)
