Pennsylvania, 1956. Frank Sheeran, a war veteran of Irish origin who works as a truck driver, accidentally meets mobster Russell Bufalino. Once Frank becomes his trusted man, Bufalino sends him to Chicago with the task of helping Jimmy Hoffa, a powerful union leader related to organized crime, with whom Frank will maintain a close friendship for nearly twenty years.
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Renowned musician Lydia Tár is days away from recording the symphony that will elevate her career. When all elements seem to conspire against her, Lydia’s adopted daughter Petra becomes an integral emotional support for her struggling mother.
After a group of teens from a small Midwestern town begin to mysteriously disappear, the locals believe it is the work of an urban legend known as The Empty Man. As a retired cop investigates and struggles to make sense of the stories, he discovers a secretive group and their attempts to summon a horrific, mystical entity, and soon his life—and the lives of those close to him—are in grave danger.
Twenty year old Antoine has made enemies of a gang of young thugs, to whom he owes money. Fed up with his scams and petty crimes, his mother and older brother decide to send Antoine to his father’s place in Saint-Etienne. The two men haven’t seen each other for several years.
The film spans from Hepburn’s early childhood to the 1950s which details her life as a Dutch ballerina, coming to grips with her parents’ divorce, and enduring life in the Nazi-occupied Netherlands during World War II. She then settles in the U.S. where she succeeds in making it big as a movie actress, in such movies as Breakfast at Tiffany’s.
A writer who pins hopes on a free-spirited 25-year-old he meets in Montevideo to get through his midlife crisis. But his day turns out to be the most unexpected and transformative day of his life.
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At the age of forty Dame Margot Fonteyn is considered to be past her best as a prima ballerina and Ninette de Valois is reducing her roles at the Royal Ballet. Then the exciting young Russian dancer Rudolf Nureyev, a recent defector to the West, comes into her life and her bed and revitalizes her career. Frederick Aashton creates a new ballet for them and they become the golden couple of the ballet world. However, Margot is married to Roberto ‘Tito’ Arias, a Panamanian politician of dubious repute who is not sympathetic to her calling and is probably faithless. When he is shot and paralyzed for life Margot must carry on dancing well into her sixties in order to pay for his costly treatment though she still collaborates with Rudolf in the occasional ballet.
