IT CAME FROM AQUARIUS RECORDS tells the story about the San Francisco based independent record store, Aquarius Records. Having closed in 2016 after 47 years, this small apartment-sized store championed local, underground, independent, and challenging music to the masses – most memorably with their infamous bi-weekly, college essay-length, new-release lists. Six years in the making, interviewing collectors, musicians, and store owners, the film has a very personal angle, with lots of behind-the-scenes footage (and drama) that shows both the joy and excruciating stress that comes with running — and closing — a store like this, helped in no part by the changing city around them.

Two high school suicide clusters in six years rocks the affluent town of Palo Alto, California. Emotions run high and while no one has a silver bullet solution to this crisis, students rise up to make sure their voices are heard.

Using archival footage, United States Cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, THE FOG OF WAR depicts his life, from working as a WWII whiz kid military officer, to being the Ford Motor Company’s president, to managing the American Vietnam War, as defense secretary for presidents Kennedy and Johnson.

Why do human beings get married in almost every society in the world? Why do we cheat? Why is monogamy so important to a relationship and why does infidelity cause so much grief? These are some of the questions acclaimed documentary filmmaker Dhruv Dhawan confronts in his next feature length documentary which explores why human beings evolved cultures of marriage and monogamy that are rife with infidelity. As he attends various lavish weddings occurring within his family, Dhruv is pestered to follow suit but is haunted by his family’s history of infidelity, as well as his own and embarks on a personal quest to discover the origins of marriage, the reasons for monogamy and the pain of infidelity as he tries to mediate an open relationship with the woman he loves. Dhruv’s search takes us on a journey into the biology of sex, the history of patriarchy and the politics of monogamy told through the lives of scientists, swingers, adulterers and Dhruv’s own family.

In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.

Cam Girlz enters the world of webcam sex workers who find economic freedom, empowerment, intimacy and creative self expression from the comfort of their own homes.

An intimate and revealing portrait of Kenny Dalglish – the player, the man, the truth.

A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.

Acclaimed director Sacha Jenkins shines a spotlight on the life and rhymes of the ‘clown prince of hip-hop’, Biz Markie, best known for his Top 40 hit, “Just a Friend.” A who’s who of legends like rappers Rakim, Big Daddy Kane, Doug E Fresh and actor/comedian Tracy Morgan share how Markie’s playful approach to the genre made him a hip-hop icon and left an indelible mark in the world of music.

In a lively stand-up set, Sebastian acts out life’s little agonies, from school drop-offs to off-leash dogs to date nights with his wife.

Given the unique privilege to preserve a relic belonging to his hero Ernest Shackleton, conservation expert Sven Habermann uncovers the history of the renowned Antarctic explorer.

Canada loses $80 billion annually in tax revenue to corporations legally, and aggressively, exploiting tax loopholes. Were this money taxed, instead of flowing into offshore tax havens, the Canadian government would garner $20 billion annually. Facing deficits and lay-offs, this film explores both sides: those who believe this is good for Canada, and those who believe it endangers democracy itself.