A young governess for two children becomes convinced that the house and grounds are haunted.
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When Liz returns home on a college break, her best friend Ashley coaxes her out for a rendezvous with ex-boyfriend Danny at Preston Castle, an abandoned boys correctional institute with a gruesome past. What begins as a dare for the three teens seeking weekend excitement, turns into a grisly nightmare as they try to escape an evil presence still lurking on the terrifying grounds. As they probe the decaying depths and shadows of Preston Castle, they find themselves in deeper and deeper trouble with no way out from the maze of rooms and locked doors. Trapped inside, they’re caught in a horrifying life and death struggle with the unstoppable evil. Will they all survive the night?
No details about this film (other than the name of the writer/director) were released prior to the sold-out premiere screening at Horror-on-Sea in 2016. No plot synopsis, cast list or trailer was issued. The only image released was the teaser poster. Subsequent to the screening, director Pat Higgins physically destroyed both the master copy and the only back-up live on the stage, effectively destroying that version of the film. Higgins made a new version of the film available to rent through Vimeo On Demand–for only one day– on Halloween 2017.
In 2010 a virus spread throughout the world’s population turning the survivors Into mindless zombies. Around the same time of these Apocalyptic events the Hilltop Hoods were due to make a dvd for their Album ‘State of the Art’. As civilisation collapsed, the Hoods were so self-involved they made their dvd anyway.
A young couple find themselves in an unnerving situation with a mysterious stalker.
In a rural Australian town, a sick Mother fears unspeakable evil will soon snatch her 11 year old daughter, Violett. As bizarre visions and disturbing characters from the neighborhood emerge, Sonya is about to discover more than just one grisly truth.
The legend of Yamashita’s Gold lures a treasure hunter and his group deep into the Indonesian jungle. Once they are trapped in an abandoned World War II Japanese bunker, they face the terrifying reality that the only way out is to go further in.
While digging into their town’s infamous past, a group of high school students unwittingly unlock an even darker secret. Now, an evil spirit has been awakened and will stop at nothing to find his true heir.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns