You May Also Like
The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.
Archie Grey Owl is a trapper in Canada in the early 1930s when a young Iroquois woman from town asks him to teach her Indian ways. They live in the woods, where she is appalled at how trapped animals die. She adopts two orphaned beaver kits and helps Archie see his way to stop trapping. Instead, he works as a guide, a naturalist writer, and then the Canadian government hires him to save the beaver in a conserve by Lake Ajawaan in Prince Albert National Park. He writes a biography, which brings him attention in Canada and invitations to lecture in England. Before he leaves, he and Anahareo (Pony) marry. In England, his secret is revealed. Will Anahareo continue to love him?
A “prequel” of sorts to “Butch Cassidy and the Sundance Kid,” chronicling the two outlaws’ lives in the years before the events portrayed in the Newman/Redford movie.
When US Marshal Moses White is called to the Wyoming Territory town of Dogwood Pass he never realized the corruption and deceit that awaited his arrival. Sometimes one small seed of seduction and greed planted in the right situation can cause a whole town to go bad. One bad character leads to another and it all starts with a dead husband in a western town.
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.
An aging lawman is convinced a mysterious stranger arrested in his small town is innocent. His investigation stirs up a hornet’s nest that will change the town forever.
When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. It’s just prior to the civil war and there is already a sharp division in the Territory as to whether it will remain slave-free. When he gets the opportunity to run for marshal, Seton finds himself running against the respected local schoolteacher, William Cantrell. Not is what it seems however. While acting as the upstanding citizen in public, Cantrell is dangerously ambitious and is prepared to do anything to make his mark, and his fortune, on the Territory. When he loses the race for marshal, he forms a group of raiders who run guns into the territory and rob and terrorize settlers throughout the territory. Eventually donning Confederate uniforms, it is left to Seton and the good citizens of Lawrence to face Cantrell and his raiders in one final clash.
