In the weekend after thanksgiving 1973 the Hood family is skidding out of control. Then an ice storm hits, the worst in a century.
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Love Me follows Western men and Ukrainian women as they embark on an unpredictable and riveting journey in search of love through the modern “mail-order bride” industry.
A young man of Chinese-Cambodian descent dies, leaving behind his isolated mother and his lover of four years. Though the two don’t share a language, they grow close through their grief.
Boston cop Pally is forced into early retirement, putting a strain on his marriage. Pally’s stepbrother, Ray, attempts to lift his spirits by tipping him off to a sure-bet racehorse. But their attempts to secure the champion equine are thwarted by a local mob boss, who steals the horse as repayment for a gambling debt. With their investment on the line, Pally and Ray become entangled in a web of underworld crime and murder.
A young woman doctor discovers something sinister going on in her hospital. Relatively healthy patients are having ‘complications’ during simple operations and ending up in comas. The patients are then shipped off to an institute that looks after them. The young doctor suspects there is more to this than meets the eye.
Macie (Patty Srisuwan), a Thai immigrant adopted into a North American family, must look after her dementia suffering grandfather (John Rhys-Davies). When she discovers that her birth mother may not have died in a tsunami fifteen years earlier, Macie teams up with grandfather to discover the truth about her past in order to decide which family means the most to her.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
It was Leonora Eames’ childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband – he is power mad and insane! Since he will not grant her a divorce, she leaves her life of luxury on Long Island and goes to work as a receptionist in an impoverished doctor’s office in NYC’s lower east side. After Smith deceives her into a temporary reconciliation, Leonora becomes pregnant. By the time she realizes she is expecting, she and one of the doctors, Larry Quinada (James Mason), have fallen in love. But she is again lured backed to her wealthy husband to give her child financial security. Her sadistic husband is hell-bent on keeping her and her child prisoner. What will happen to Leonora?
With friends like these, who needs enemies? That’s the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead — or so they think. Five months and an endless reservoir of bitterness later, Porter’s partners and the crooked cops on his tail learn how bad payback can be.
Two down on their luck childhood friends struggle to figure out their lives. Ray a drummer in a rock and roll band, and Owen an aspiring film maker spend most of their time working menial jobs and drinking. When Owen’s fiancĂ© Lynn breaks off their engagement he finds himself spiraling, and allows Ray to come along with him to a two bit film festival he has been invited to in Kansas. There Owen makes several attempts to patch up his relationship, while Ray scams them into a deluxe suite at the local Four Seasons hotel by posing as Wally Shawn’s son (who happens to be receiving a lifetime achievement award) and generally causes a major ruckus. By the end, Owen decides to make some changes in their relationship and in his life.
After Ben Garvey foolishly turned back to crime, he thought his life was over when he was sentenced to death by lethal injection. But his death sentence isn’t quite what it seems, as Ben regains consciousness near an eerie psychiatric ward, where he’s told he’s been hired as the groundskeeper. With the state of his soul in question, and the love for his wife and daughter all the more real and powerful, Ben must figure out if he’s truly cheated death, or if he’s become part of something far more sinister.