A Chance in the World is the unbelievable real life story of Steve, a wounded and broken boy destined to become a man of resilience and vision. From the day he is five-years-old and dropped off at his foster home of the next eleven years, Steve is mentally and physically tortured by Betty (his foster mother), Willie (her husband) and his foster siblings. Desperate for a sense of family and belonging, Steve searches for his biological parents, but no one in the system can help him. No one can tell him why, with obvious African-American features, he has the last name of Klakowicz.

To salve his guilty conscience an elder brother removes his disturbed younger sibling from a mental institution after a suicide attempt and tries to bring him back to mental competency through one on one contact. Free of the institution he continues to be haunted by dreams of a lost twin and chants the eerie phrase “Do I stand before the king?” It is the elder brother that seems doomed to lose himself in his brother’s insanity.

A 30-something urbanite is pulled back to his rural hometown by his high school buddies on Thanksgiving to finish The Turkey Bowl – an epic football game against their cross town rivals that was snowed out fifteen years prior.

Although she’s only sixteen and looks even younger, Misao Makimachi is already a skilled and competent member of the Oniwabanshu ninja clan. That’s fortunate for Misao, because her onimitsu talents may be all that keeps her alive when a journey in search of the leader of the clan, Aoshi Shinomori, leads her instead into a face-to-face encounter with an even more dangerous man and a plot to overthrow the Meiji government! Quickly enmeshed in the affairs of the legendary assassin Hitokiri Battosai, now known as Kenshin Himura, wielder of the reverse-blade sword, Misao finds herself pulled into the middle of a deadly intrigue against Makoto Shishio, who is orchestrating the conquest of all Japan – beginning with Kyoto!

Concert pianist Henry Orient (Peter Sellers) is trying to have an affair with a married woman, Stella Dunnworthy (Paula Prentiss), while two teenage private-school girls, Valerie Boyd (Tippy Walker) and Marian Gilbert (Merrie Spaeth), stalk him and write their fantasies about him in a diary. Orient’s paranoia leads him to believe that the two girls, who seem to pop up everywhere he goes, are spies sent by the husband of his would-be mistress. When Val’s mother, Isabel Boyd (Angela Lansbury), finds their diary, she suspects that Henry has acted inappropriately with her daughter. She contacts Orient and they end up having an affair. Val finds out about it, as does her dad.

The german performance artists Greta & Rodi are celebrating the last 24 Hours of their relationship. Planned as an act of gratitude & the last art project at the same time, things get out of control…

Krishna (Nani) and Mahalakshmi (Mehreen) have been in love since childhood. But he is a coward and she is the sister of a local factionist.

Having spent his entire life in a dark cell, never seeing the light of day or another human being, the “Captive” is released into society and must learn how to live for the first time as an adult.

The story kicks off on Hartcliffe council estate in Bristol during the early 1980s. It follows Steven Knight, a working-class boy who has his motorbike stolen the day he buys it. Teaming up with his scoundrel friends he desperately tries to track it down before it’s gone for good.

One week before proposing to his girlfriend, Kyle, a down-on-his-luck romantic, discovers that she’s been sleeping with another man. Unemployed, saddled with debt, and depressed, Kyle embarks on a funny yet affecting journey to recovery that involves living in his car, bottom-of-the-barrel jobs, therapy, online dating, and Kyle’s own wild, fantastical, and snarky imagination.

An accident occurs in an ultra-secret government biological weapons laboratory spreading a sinister bacteria.

Ann is consumed by the fantasy of finding true love. Just when she thinks she’s found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.