The beauty transgender Erika arrives in an old house in the country during a stormy night. She is escaping from her violent boyfriend. At first Erika find peace, but day by day strange things begin to happen: voices, shadows – And a man of the nearest village says to Erika that the house is known in the village as “The house of murderers” since the Second World War.
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A group of college students break into an abandoned convent and become possessed by demonic spirits.
Set fifteen years after the original film, The Exorcist III centers around the philosophical Lieutenant William F. Kinderman who is investigating a baffling series of murders around Georgetown that all contain the hallmarks of The Gemini, a deceased serial killer. It eventually leads him to a catatonic patient in a psychiatric hospital who has recently started to speak, claiming he is the The Gemini and detailing the murders, but bears a striking resemblance to Father Damien Karras.
The children of isolated desert town Sunderland face an all-consuming choice: They can attend school to learn the teachings of The Angel, an extraterrestrial being that arrived 10 years ago, and ‘Evolve’ like their parents who were turned into mindless drones, or be exiled to the wasteland.
Four co-workers get together to finish a project at their manager’s home. They haven’t actually met face to face and they discover they have more in common than the new App they are perfecting. As they piece together their histories, they realize that each of them has a deadly secret that could reveal a way out or seal their fates. Their pasts have provoked a vengeful force to show them the errors in their ways. The home they have been summoned to becomes their court and their prison. Can they prove that history doesn’t repeat itself? Can they redeem themselves before time runs out? Will they figure out their fateful bond before revenge has its way with them?
The film is composed of multiple comedy shorts presented through an overarching segment titled “The Pitch”, in which Charlie Wessler, a mad screenwriter, is attempting to pitch a script to film executive Griffin Schraeder. After revealing several of the stories in his script, Wessler becomes agitated when Schraeder dismisses his outrageous ideas, and he pulls a gun on him and forces him to listen to multiple other stories before making Schraeder consult his manager, Bob Mone, to purchase the film.
A psychiatrist involved in a radical new therapy comes under suspicion when his patients are murdered, each according to their individual phobias.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
A group of strippers struggle to keep themselves safe while detectives try to figure out who is killing them off.
The screenplay centers on characters Brendan Young and Darryl Jennings who take a trip to the Lake Arrowhead with a group of college friends to celebrate Young’s girlfriend’s birthday. One-by-one the coeds begin disappearing until a mysterious young visitor arrives and helps them begin to unravel their tangled web of terror.
