Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.

An absurd law prevents John, an unrecognized child at birth, from knowing the identity of his biological parents before his 100th birthday. To succeed in attracting public opinion, his only hope is to obtain the complicity of Gustavo, the only unrecognized-at-birth centenarian alive. The only one who would have the right to avail himself of this legislation but seems to have no interest in doing so. The Most Beautiful Century of My Life tells of the meeting between a centenarian projected into the future and a young man anchored in the past and of their unexpected friendship.

Akpos jets off with his family to the exotic city of Miami, Florida to represent Nigeria at the Intercontinental Christmas Fiesta, which is a unifying Fiesta that will bring together 6 families from 6 very diverse nations across 5 continents, to spend the week leading up to Christmas together, on an exotic island in Miami, USA. This ‘mini’ Olympics of Christmas is a multi-ethnic story of unity in diversity. It celebrates how we are all different, but the same, or how we are all ‘same difference’. It reminds that Christmas transcends skin colour and racial barriers. It’s a rib-tickling comedy that aims to unite borders by helping each of the nations represented to also debunk long-held negative stereotypes and perceptions that the general public always had about them. And of course, somewhere in between all of these, we are treated to endless servings of Akpos’ mis-adventures.

An unmarried 40-year-old woman turns to a turkey baster in order to become pregnant. Seven years later, she reunites with her best friend, who has been living with a secret: he replaced her preferred sperm sample with his own.

Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.

Following the murder of hotel heir Ben Novack Jr., police focus their investigation on his wife, Narcy.

Set in the world of mega-churches in which a former Deadhead-turned-born again-Christian finds himself on the run from fundamentalist members of his mega-church who will do anything to protect their larger-than-life pastor.

When the head of a statue sacred to a village is stolen, a young martial artist goes to the big city and finds himself taking on the underworld to retrieve it.

On the last day of summer, a group of friends attempt to break into a local music festival.

Upon taking her vows to become a nun, Sister Sarah is abused, brainwashed and drugged into submission by the corrupt clergy. On the verge of death from a lethal dose of drugs, Sister Sarah receives a message from God telling her to take vengeance on all those who did her wrong. Armed with God’s will and an arsenal of big guns, she dispenses Judgment Day on her former tormentors. When the church hires the merciless motorcycle gang the “Los Muertos” to track down and kill her they soon realize that this sister is one bad mother.

Three unemployed men find the answer to all their money problems when they receive a call from a kidnapper. However, things do not go as planned.

Gianni is a middle-aged man living in Rome with his imposing and demanding elderly mother. His only outlet from her and the increasing debt into which they are sinking, are the increasingly frequent quiet sessions at the local tavern. As an Oriental saying goes, ‘Moments of crisis are moments of opportunities’. These appear during the celebration of the holiday of Ferragosto on 15 August. That’s when everybody leaves town to have fun. Opportunity knocks on Gianni’s door in the most unexpected way.