A close examination of the Whakaari / White Island volcanic eruption of 2019 in which 22 lives were lost, the film viscerally recounts a day when ordinary people were called upon to do extraordinary things, placing this tragic event within the larger context of nature, resilience, and the power of our shared humanity.

Healthcare systems are overwhelmed, economies are disrupted and governments impose lockdowns to contain the spread of the virus. Where did this novel coronavirus come from? In what way was it manifesting itself in humans? How was it being spread? We uncover the vital questions scientists ask as they grapple to understand this new virus, and its potential threat. We also speak to the scientists and experts leading the fight against this latest pandemic to develop vaccines and treatments in a bid to halt the coronavirus’ relentless spread.

The story of the triumphs and hurdles of brothers Barry, Maurice, and Robin Gibb, otherwise known as the Bee Gees. The iconic trio, who found early fame in the 1960s, went on to write over 1,000 songs and have 20 No. 1 hits throughout their career, transcending more than five decades of changing tastes and styles.

The time is the late ’80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern is convinced that their interests would be better served in a stable South Africa and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue.

Over the last fifty years, America has been fascinated by Star Trek since it first aired in September of 1966. This 2-hour documentary celebrates the 50th anniversary through interviews with cast and crew members from every television series and the original films.

The Creeping Garden is an independently-produced feature-length documentary, directed by Tim Grabham and Jasper Sharp and with an original soundtrack by Jim O’Rourke, depicting the world of myxomycetes, or plasmodial slime moulds, and the diverse array of research currently being conducted around them. The film boasts stunning original macroscopic time-lapse footage of these overlooked organisms, filmed within its natural habitat and in a controlled laboratory setting, and features interviews with artists, researchers and scientists involved in the fields of the visual arts, music, mycology, computing and robotics to explore ideas of biological-inspired design, emergence theory, unconventional computing and scientific modelling.

From the UFC Octagon in Las Vegas and the anthropology lab at Dartmouth, to a strongman gym in Berlin and the bushlands of Zimbabwe, the world is introduced to elite athletes, special ops soldiers, visionary scientists, cultural icons, and everyday heroes—each on a mission to create a seismic shift in the way we eat and live.

Twentysomething Petri got over a break-up by pushing his credit card limit in order to buy stuff. Still, after three years, the anxiety remains, so all things must go into a storage container. For a year, Petri allows himself to retrieve only one item per day. New life begins naked next to a radiator.

A discussion of Michael Giacchino’s work on the film and the themes the music conveys and supports for the film.

A man is convicted of a robbery he didn’t commit and spends nine years in jail. Decades later, he becomes a suspect again — but is he still innocent?

Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic “Freaks”) before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.

Documentary filmmakers assert that Anthony Porter – a former death-row inmate who was spared the death penalty thanks to the efforts of a college journalism program – was actually guilty, and an innocent man was sent to prison.