Cassie, a 13 year old Gothic girl, is trying to fit in at her new school. To entertain herself, she plays a series of pranks on the popular kids and her younger brother, Max. When she goes to a Halloween store looking for new tricks, she finds a little book called “The Evil Thing”
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One morning, when Riley (Chantel Little) should be at classes, her mother Angie (Maissa Houri) hears a cellphone ringing from her bedroom, soon to discover Riley left her phone behind. She answers what is Riley’s best friend Mackenzie’s (Willow Mcgregor) third attempt to reach someone. After Angie asks if Riley is with her, she realizes Mackenzie was about to ask the same thing. Shortly after, Angie checks the main closet and finds Riley’s shoes are still there. Did she leave in the middle of the night or vanish into thin air? Riley’s circles paint a picture of the events surrounding her disappearance while exploring leads in what becomes a harrowing mystery of twists, turns, and answers that poses the question: Was it better to not know what really happened after finding out the truth?
A young biologist, Mary Jane, who focuses on lepidoptery (the study of moths and butterflies), doesn’t have the perfect life; she does however have what she considers the perfect son. Tragedy strikes and Mary Jane’s world is disturbingly turned upside down. Fleeing the troubled “real world” she embarks upon a solitary bush project. In the isolated and surreal landscape Mary Jane starts experiencing strange phenomena. The opportunity to be a mother again presents itself, only it comes at a cost for Mary Jane and what’s left of her family.
A 19th century woman, who has become one of the undead, acts as a hired killer in modern times. When she starts knocking off part of the elite businessmen, “The Illuminati”, who secretly are taking over business and the government, she becomes the target of a hired Scotland Yard detective. Of course, the head of “The Illuminati” is the vampire who first gave her immortality
Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina’s. It’s the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.
A selected group of ambitious young black men are invited into an upstanding Fraternal Society House with great promise. What they come to learn and find out about the place, and themselves will perpetually haunt them for the rest of their lives.
Thor along with his friends travels to mysterious island seeking glory and fame. Upon arriving they encounter strange creatures and they start searching the island for answers. Meanwhile Thor keeps seeing visions for a mighty warrior and a big hammer and Freyja tells him that his visions are clues so they start searching for the hammer.
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
The story of Vera Atkins, a crafty spy recruiter, and two of the first women she selects for Churchill’s “secret army”: Virginia Hall, a daring American undaunted by a disability and Noor Inayat Khan, a pacifist. These civilian women form an unlikely sisterhood while entangled in dangerous missions to turn the tide of the war.
Cynthia Kyle enters puberty with a vengeance, murdering her parents as they make love: she’s wanted her father to love only her. Eight years later, she’s free and wants to marry, but nightmares plague her so she seeks psychiatric help. The doctor asks her to describe a dream: it’s long and elaborate with dreams within dreams of Lucifer, Hell, and her parents in various guises. To shed her guilt, the shrink recommends that she commit suicide in her next dream. In it, she falls in love with an artist who reminds her of her father, responds to a woman who finds her attractive, and celebrates her first school-yard kiss. The dream takes her back to her parents’ bedside. Is any cure possible?
A mother puts her daughter to bed but when she wakes up, is it really her mother calling her name?
