An overweight cook is given the opportunity to woo the girl of his dreams when he is given a “handsome suit” that transforms him into an idealized human being in this absurd Japanese comedy.
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Bob Hope is a New York theater critic and his wife (Lucille Ball in their final motion picture pairing) writes a play that may or may not be very good. Now Hope must either get out of reviewing the play or cause the breakup of his marriage. Based on the Broadway play by Ira Levin.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
Part 1 of 6 for the final chapter of Girls und Panzer series.
Zatoichi is sworn to protect the life of a young girl and without any real allies finds himself in the middle of a bloody turf war.
An honest and shy student, Jane, finds herself lost in the world of college dating. When her crush, Allen, doesn’t clearly respond to her feelings, she is left vulnerable to the less admirable intentions of his competitive friend, Will.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
Promiscuous things going on every night at LKF. Tonight, a photographer hits it off with a girl that just broke up with her rich ex-boyfriend; an office boy in advertising mistakes his cell phone for a pretty married woman’s; a broker gets to know a prostitute a lot more than he should; a patrol officer comes across a female DJ working at a night club, they’re like familiar strangers to each other.
Satellite Shankar is based on the real-life story of a soldier who finds himself during his journey of finding the length and breadth of his country.
Childhood friends Tetsuo and Kaneda are pulled into the post-apocalyptic underworld of Neo-Tokyo and forced to fight for their very survival. Kaneda is a bike gang leader, and Tetsuo is a member of a tough motorcycle crew who becomes involved in a covert government project called Akira. But a bloody battle ensues when Kaneda sets out to save his friend.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family’s killers free. He targets not only the killer but also the district attorney and others involved in the deal.
When two beautiful college girls move across the street from Derek and Chad, sinister things begin to happen.