A 12-year-old boy making basic punk songs, grown men playing with guns, a neurotic woman with euphoric happiness targeting self destruction – a Swedish everyday life you’ve never seen before.
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Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
After marrying a dour and disinterested lord for status, a young woman falls in love with a stage actor while her best friend from boarding school enters an affair with her husband.
A young high school teacher moves to a new town for a fresh start and falls for a troubled student.
1865, the American Civil War has just ended. The last remaining members of a now destitute Southern family journey to California. The guilt and scars they carry from the war are deeper and more painful than the loss of their family fortune and home. The war is over, but the battle to survive has just begun, they are in search of a new life, a new fortune, a new world and something else that they do not yet understand, the redemption of their very souls. Written by Joseph Paul Stachura
Quitters tells the story of the Raymans, a wealthy Jewish family that’s falling apart. The son, Clark, is a bright and curious high schooler with a talent for manipulation. As his mother May enters treatment for a pill addiction, and he and his father Roger stop getting along, Clark thinks about running away from home. He just needs to decide where to go.
A lurid fantasy of wounded flesh and accursed lives that entwine and separate in a building run by a landlord (Simon Yam), who seeks to find a particular type of tenant for the property he inherits from his relatives. Driven by his desire of peeping into the darkest aspects of human nature, what he sees through the eyes of the omnipresent cameras ain’t pretty… but it gives him the wry, abject satisfaction of a dark god lording over and leering at the souls of the damned, his imagination hungering toward them.
Three unhappy and helpless husbands who are fed up with doing household work on their wives’ instruction find ways to change the situation in their favour.
A caregiver at a small retirement home takes one of her patients for a drive to the country, but the two wind up stranded in a forest where they embark on an exhausting and enlightening two-day journey.
As children, Nick and his little brother take care of their baby brother while their mother drinks herself senseless. But the baby dies, and both brothers blame themselves. Many years later, Nick is out of prison after serving time for an assault. He drinks, lives in a shelter and tries to help an old friend. When their mother dies, Nick meets his brother at the funeral. The brother, who remains nameless, is a single father to a young boy, but also supports a drug habit that is spiraling out of control. When an opportunity presents itself, he becomes a drug dealer to secure his son’s future. Eventually, the two brothers meet again.
Huo An, the commander of the Protection Squad of the Western Regions, was framed by evil forces and becomes enslaved. On the other hand, a Roman general escapes to China after rescuing the Prince. The heroic duo meet in the Western Desert and a thrilling story unfolds.
