A mainstream comedy that raises the question and humorously exposes the difficulty and complexity of raising children in a society of ultra performance, nourished by parents who, wanting to give the best to their children, end up suffocating them.
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In Paris, Sophie and Daneel make a solid couple. Nothing, it seems, can separate them – until the day when Sophie tells her partner she has organised a surprise trip to Bulgaria. Daneel refuses to go, but Sophie insists and soon discovers just why her soul mate was so reluctant to set foot in the country…
Music legend Diana Ross stars with singer Brandy in this 1999 American made-for-television musical drama film. It tells the story of a mother driven to reach the heights of superstardom at the cost of abandoning her only child. In its review, Variety wryly noted “the message seems to be that no maternal crisis is so complex that it cannot be mitigated by the performance of a track from one’s latest CD”
Biopic about the life of Whina Cooper, an activist who worked tirelessly to improve the lives of fellow Māori women.
The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)
Bumbling Ernest P. Worrell is assigned to jury duty, where a crooked lawyer notices a resemblance with crime boss Mr. Nash, and arranges a switch. Nash assumes Ernest’s job as a bank employee, while Ernest undergoes Nash’s sentence to the electric chair. But instead of killing him, the electrocution gives Ernest superhuman powers, enabling him to escape from jail and foil Nash’s attempt to rob the bank.
Isabelle, a 17-year-old student, loses her virginity during a quick holiday romance. When she returns home, she begins a secret life as a prostitute for a year.
When a suspicious death remains unsolved, three boys suspect a reclusive Indigenous man named Bobby (Kelton Pell) and relentlessly harass him until one of the trio breaks the toxic cycle to make amends.
Giulia De Martino is a pilot. At seventeen she partecipates in the GT Championship, under the guidance of her father Mario. But one day everything changes and Giulia has to face alone both the track and her own life.
Barry is a down-and-out-guy who takes a job at the shipping department of Technoworks, a high-tech Yuppie company. He gets invited to the house of his boss Quinn, for a weekend afternoon barbecue with some of his boss’s friends. The party gets weird, Barry plays a demented version of charades while standing on the picnic table, and the next door neighbor starts screaming racial slurs over the fence. When Jude, the widow of the ex-owner of Technoworks arrives, the plot thickens. Clues to past crimes are revealed, and the real reason for the party is discovered. But not before Barry beats the hell out of a tow-truck driver, screws the boss’s wife and wreaks havok with the neighbor. And as the title suggests, before the day is over, we will discover who is the Felon, or perhaps the people at party are all, one way or another, Felons.
