Erik, recently retired, is looking forward to some post-work adventure and to enjoy his family. These plans are thrown into doubt as the harsh reality of his wife Juditha’s accelerating illness causes his own health to deteriorate. Juditha refuses to accept any outside help as Erik buckles under the pressure.

A veteran chef faces off against his restaurant group’s new CEO, who wants to the establishment to lose a star from its rating in order to bring in a younger chef who specializes in molecular gastronomy.

For never-do-well compulsive gambler Fong, there’s only one thing more fearsome than debtors at his doorstep – having to coax a crying baby. But what if the baby becomes his golden goose to fend off his debtors? Can he overcome his phobia of diapers, milk bottles, and cloying lullabies?

R.P.M. stands for (political) revolutions per minute. Anthony Quinn plays a liberal college professor at a west coast college during the hedy days of campus activism in the late 1960s. Radical students take over the college, the president resigns, and Quinn’s character, who has always been a champion of student activism, is appointed president. As the students continue to push the envelope of revolution, Quinn’s character is faced with the challenge of restoring order or abetting the descent into anarchy.

Soni, a young policewoman in Delhi, and her superintendent, Kalpana, have collectively taken on a growing crisis of violent crimes against women. However, their alliance suffers a major setback when Soni is transferred out for alleged misconduct on duty.

Hannah and Amber Baker are trapped in a dark Southern underworld of violence, drugs and bikers. Both live in fear of their “Uncle Frank” Stinson, the ruthless leader of a crime organization.

As the coronavirus upends their lives, two detectives doggedly pursue those responsible for an abduction they realize is part of a sinister pattern.

Force of Habit follows the lives of various women throughout one day. Hilla is having a romantic vacation, Emmi is throwing a house party, and Milja is on her way to school when they’re approached by a stranger and things take an unexpected turn. At the same time, Emppu, a young actress, is conflicted as she rehearses for the biggest role of her life. Elsewhere, Aleksi, an inexperienced prosecutor, is preparing for his first court case in haste; Niina, the victim of the crime, has been waiting years to see her case tried. Miia throws a company party, and the mood dramatically changes when her colleague Katja opens up about their boss coming on to her. Miia and a couple of her closest colleagues try to resolve the situation, but how do the others react?

When a young soldier in Vietnam gets dumped by his hometown girl, he and his best friend decide to go AWOL and return to the States to win her back.

This film is about a hyper-vigilant employee of the department of public safety who, while training his young female replacement, has to track down a missing girl who he is convinced is connected to a paroled sex offender he is investigating.

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

When Koichi Takahasi (Miutani) is transferred from Tokyo to a small village in Iwate Prefecture, they set up hoe in a two-hundred year-old farmhouse. The family is split between those who hate the move and those who are happy. Fumiko (Yasuda), the wife, is unhappy at the change and doesn’t get on with her elderly neighbours, Azumi (Hashimoto) is sad about having to transfer to a new school. Koichi’s mother, Sumiyo (Kusabue), rather likes the new community while young Tomoya Takahashi (Hamada) really enjoys the new move because he can play outdoors. Koichi takes note of the split in the family but finds himself struggling at his new job. Thankfully the house has Zashiki Warashi (yokai) living there who will unite them with their antics. Judging by the poster these antics won’t be terrifying.