Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life… Hopefully.
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A son tries to save his mother’s eyesight by drinking beer and playing darts.
World War I (1914-1918) In the trenches del Carpio, the fate of two people forever changed when known. Mario is a humble miner to whom war has become infantry sergeant, and Albertina is a duchess who has decided to help his country enlisting as a nurse. The love that arises between them will have to face the horrors of war and wishes to marry Captain Avogardo Albertina.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.
Middle-classed young and dashing Rohit Kumar Saxena falls in love with wealthy and lovely Reshmi, and both decide to get married. Reshmi’s dad, the wealthy Diwan Sardarilal is strongly opposed to this marriage, but relents when Reshmi refuses to marry anyone else. As a result, Rohit and Reshmi get married. Shortly after their marriage, Reshmi gets pregnant, news that is very well received. Then Reshmi enters a beauty pageant, and wins it – being crowned Miss India, with offers to travel abroad. Reshmi decides that she does not want the child now, but Rohit opposes this decision. Both quarrel, and separate, and Reshmi goes back to live with her dad. Shortly thereafter, Sardarilal sends a legal notice to Rohit asking for a divorce. Devastated, Rohit seeks employment, and finds it as a station master at a remote hill station. He meets with Reshmi and her dad, and is humiliated because he is poor.
A teenager becomes overwhelmed with guilt after her lies to support a friend’s claim of sexual assault lead to the accused teacher’s suicide.
When a professor of religious studies is forced to investigate why his students are being murdered, he discovers what ended his own life and is then reborn.
A resourceful and high-spirited woman deals with financial distress and her asthmatic thirteen-year-old son when his life is gravely complicated by a new friendship with the son of her former drunken and abusive husband.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
An ambitious lobbyist faces off against the powerful gun lobby in an attempt to pass gun control legislation.
