Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
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Despite grumpy 59 year-old Ove being deposed as president of his condominium association, but he keeps looking over the neighbourhood with an iron fist. When pregnant Parvaneh and her family move into the terraced house opposite Ove and she accidentally back into Ove’s mailbox, it sets off a series of unexpected changes in his life.
Shui (Stephen Chow) and Ti (Sandra Ng) elope off, against the wishes of Ti’s father (Shing Fui-On). They live the life of a struggling young couple. Shui finds a job at a jewelry importer and his hard work is noticed by the boss lady (Suki Kwan). As Shui moves up the corporate ladder, the chasm between Shui and Ti starts to widen, and the bond between Suki and Shui tightens.
In what would cause a fantastic media frenzy, Clifford Irving sells his bogus biography of Howard Hughes to a premiere publishing house in the early 1970s.
One year after a tragic incident tore their family apart, a grieving son and his estranged father embark on a journey into the wild to reconcile their past. When a horrifying accident leaves Russell badly injured, and strands them in the wild, it is up to October to save them both. However, this wilderness is not what it seems, and as they deteriorate, so to does their concept of reality.
A sparkling comedic chronicle of a middle-class young man’s romantic misadventures among New York City’s debutante society. Stillman’s deft, literate dialogue and hilariously highbrow observations earned this debut film an Academy Award nomination for Best Original Screenplay. Alongside the wit and sophistication, though, lies a tender tale of adolescent anxiety.
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In Center Stage: On Pointe, Jonathan Reeves (Gallagher) is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his his top choreographers Charlie (Radetsky), Cooper (Stiefel) and Tommy (Wormald) to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker (Muñoz), who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp. Chloe Lukasiak plays Gwen, a talented dance prodigy who competes at the camp. – Denise Petski
In the aftermath of a nuclear disaster, a starving family find hope in a charismatic hotel owner. Lured by the prospect of a free dinner, they discover that the evening’s entertainment blurs the lines between performance and reality. Will they wind up the spectators or the spectacle?
Sam and her friends are terrorised during a party by a group of young men on a desperate hunt for something in her house.