During COVID-19, Ai En comes across an old photo of her childhood best friend Ning Jin, and begins to try to find her. A journey between two best friends reconnecting through video diaries and ultimately rediscovering themselves.

Ji-yeon, a tollgate ticket girl, is frightened by a mysterious black car, which pays a bloodstained ticket fee at midnight. Her fear deepens after her colleague, Jong-sook, tells her that 12 years earlier a prisoner transport vehicle caused a traffic accident wherein all the prisoners involved died – and some of the corpses disappeared. Afterwards, a murder occurred near the tollgate on February 29th every four years. Soon, odd events become increasingly frequent, usually involving a doppelganger of Ji-yeon. When Jong-sook is killed on the fateful February 29th, Ji-yeon – with the help of two detectives – starts looking into matters herself.

As a string of brutal murders plague the city, two undercover detectives (Brent Harvey and Mia Li) race to solve the mystery and unmask the killer. Their only clues: each victim is a former cop and each has a blood-red letter painted on their body. How many will have to die before the killer spells out their message in blood?

When Iraq invades Kuwait in August, 1990, a callous Indian businessman becomes the spokesperson for more than 170,000 stranded countrymen.

Call Center Girl is a 2013 Filipino family comedy drama film directed by Don Cuaresma, starring Pokwang, Enchong Dee, and Jessy Mendiola.

Nineteen-year-old Viorel lives with his mother in a remote Moldovan town. He has no great ambitions nor any illusions about life. He and his pal Goos earn a little cash through illegal activities, and Viorel is helping him fulfill his dream of flying. His mother tries to convince him to find a decent job. Eventually, Viorel begins taking control of his life.

This prequel of the bone-chilling Tremors begins in the town of Rejection, Nev., in 1889, where 17 men die under mysterious circumstances. Spooked by recent events, the miners who populate the town leave in droves until there’s nothing left but a shell of a community. It’s up to the remaining residents to get to the bottom of the deaths — but they must do so before they, too, are eradicated off the face of the planet.

Jackie Powers will stop at nothing to prevent his son from following him into a life of crime. With his mob employer in pursuit, a chance encounter at a roadside diner charts a new path.

Tom Rath is a suburban father and husband haunted by his memories of World War II, including a wartime romance with Italian village girl Maria, which resulted in an illegitimate son he’s never seen. Pressed by his unhappy wife to get a higher-paying job, Rath goes to work as a public relations man for television network president Ralph Hopkins. Drawn into poisonous office politics, Tom finds he must choose his career or his family.

Hoodwink is based on the true story of an Australian con artist who briefly won the hearts of the media (if not the authorities). John Hargreaves stars as a criminal serving time in a New South Wales prison. He’s not partial to the physical labor required of the convicts, so he hits upon a labor-saving plan. Hargreaves pretends to be totally blind, thus lightening his work load….and carries off the hoax for years.

As young children, half-siblings Axel and Yanne are adopted to Norway. They are separated on arrival, him to material wealth on Oslo’s west side, her to an average family on the east side. In contrast to her younger brother, Yanne remembers their journey to Norway, but she has no idea where he might be now.

A mysterious wanderer (Isaach De Bankolé) settles into a strange homestead on the parched Hungarian plains populated by an odd assortment of outcasts, in this stunning, dreamlike reverie from ambitious director Szabolcs Hajdu.