This is the story of the most extraordinary and audacious experiment in the history of animal science. It was carried out by visionary 1960s neuroscientist John Lilly, who had a remarkable ambition; to communicate with dolphins by teaching them to speak English. The experiment was seized upon by NASA, who were embarking on the first serious search for extra-terrestrial intelligence beyond the Earth. When they detected a signal from ET, they would need to understand how to communicate with a species other than humans. Here, without leaving the planet, was the opportunity to practice such inter-species communication. But what started with ‘60s idealism would spiral into the darkness of the decade, and end in tragedy, with rumours and scandal about drug abuse and a sexual relationship between Peter and Margaret. Fifty years on, this film tells the real story of just what happened at the Dolphin House.
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In Zenica, a giant steel factory belches toxic gasses into the air day and night, making the city one of the world’s most polluted, and people are dying. Samir Lemes and citizen activists from Eko Forum fight an uneven fight for change against the reckless corporation, the local politicians who focus on jobs, investments, and re-elections, and the EU who co-funds the corporation without enforcing laws and international standards. Instead, they name Zenica ‘A Green City Project’, building bicycle lanes in a city where breathing is a health hazard. A film about financial cynicism, political pragmatisk and greenwashing, in which West European countries play a surprisingly big role.
The extraordinary story of a man who risks everything to preserve freedom of speech in Russia. In December 2021 Dmitry Muratov is awarded the Nobel Peace Prize. He is the editor-in-chief of Russia’s only independent newspaper, Novaya Gazeta. Six of his journalists have been murdered, after their reports displeased the state. In February 2022 Russia invades Ukraine. In early March, using the cover of a documentary film festival, Muratov secretly negotiates free passage for forty journalists with the Latvian government. Then he returns to Moscow to look after his paper and its remaining staff. To this day, he refuses to leave Moscow, whatever the pressure on him and his team. “Putin stands for death. I stand for life.”
When a British-born actor abandons his Hollywood career to volunteer to Join the Kurdish YPG to fight ISIS in Syria, many see him as a selfless hero battling America’s most insidious enemy. But others think he’s a hot-tempered narcissist, staging a publicity stunt to further his career – and when his service ends, neither the UK nor the US welcome him back. Through incisive interviews with the actor, his supporters, his detractors, and top-tier experts – and featuring the actor’s own jaw-dropping helmet-cam video of deadly battles with and interrogations of ISIS fighters – Heval gives viewers unprecedented access into a war against evil and one man’s controversial role in it.
With more than 27 years of service, the space shuttle Discovery has clocked more time in space than any other shuttle. She has flown more than 148 million miles, and has become one of the most storied spacecraft in American history. Join us as we celebrate her remarkable past and follow her final flight: to the Smithsonian National Air and Space Museum. It’s an emotionally charged mission full of logistical challenges. Discovery is a robust, but very fragile aircraft, and getting her to D.C. in one piece will require some innovative engineering.
Set entirely inside Folsom Prison, The Work follows three men during four days of intensive group therapy with convicts, revealing an intimate and powerful portrait of authentic human transformation that transcends what we think of as rehabilitation.
The incredible story of the greatest cycling race in history, the 1989 Tour de France, and how American Greg LeMond faced down betrayal, childhood sexual abuse and death completing one of the most inspiring comebacks in history.
The modern limits of humor in an increasingly outraged society are examined.
We Are the Giant tells the stories of ordinary individuals who are transformed by the moral and personal challenges they encounter when standing up for what they believe is right. Powerful and tragic, yet inspirational, their struggles for freedom echo across history and offer hope against seemingly impossible odds.
An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.
The artist behind the sensation of a $10 million, 22-city tour, and the international media storm that ensued.
Tony Silver and Henry Chalfant’s PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.
