In a room behind a door, a young woman named Sylvie adventures through the depths of her heart. She builds a world that can keep her safe from all of the “what if’s” she fears most, never daring to venture beyond the threshold of her door.
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A recently orphaned millionairess, Olivia, really hates her scheming step-father. Olivia finds love with a young yacht racing captain, Tim, who isn’t completely truthful with her. When the two run into a problem the local cop, who happens to be an old friend of Olivia’s, seems to be turning a blind eye to incriminating evidence.
One year after a tragic incident tore their family apart, a grieving son and his estranged father embark on a journey into the wild to reconcile their past. When a horrifying accident leaves Russell badly injured, and strands them in the wild, it is up to October to save them both. However, this wilderness is not what it seems, and as they deteriorate, so to does their concept of reality.
Two men in 1930s Mississippi become friends after being sentenced to life in prison together for a crime they did not commit.
Thrown to rot in a narrow and gloomy cell of a hideous Soviet prison, a weary new inmate struggles to come to terms with the new reality. Within the grey cage, an unwelcoming fellow convict cautions the newcomer not to touch the intriguingly mysterious red wooden box which rests on the lower bunk, moreover, not even think of opening it. Why is there so much secrecy about the contents of the box? Could there be hiding the means to his escape?
Albert has always looked up to his aunt Tiny: this beautiful woman from Brabant can make any man’s heart skip a beat. Through Albert’s eyes Tiny’s life seems quite exciting. But why is she so furious at everyone and everything? It takes him half a lifetime to discover that his beloved aunt’s existence is a lot more complex than he had ever thought.
A Latvian tragicomedy about a young artist who bears witness to the dramatic political upheavals of the WWII era. As brutal regimes come and go, his country, his village, his people, and even his heart are swept up in the inexorable currents of history.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…
A teenaged girl and her father are living their lives in a crashed spaceship, separated by a pane of glass. She begins to receive static-crackled radio messages from her mother, whom she long believed to be dead.
NYPD detectives Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, they are given a weekend to bring Benesch to justice. While they follow various leads, Police Commissioner Russell goes about his duties, including attending functions, meeting with aggrieved relatives, and counseling the spouses of fallen officers.
The Wongs struggle to cope with life, love, and family dysfunction in the suburbs of New York.
On 26 September 1928, Karel Capek and President T.G. Masaryk meet in the gardens of Topolcianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Capek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively. “It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.
