The relationship between brothers Terry and Matt, both active in the IRA, comes under strain when Terry begins to question the use of violence.
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Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the “Soap-Maker of Correggio”.
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The world has been reshaped by the invasion of ghosts via the wireless internet. Cities are deserted, technology has been destroyed and the few remaining human beings eschew anything electrical in order to avoid a confrontation with the soulless ghosts that now wander the planet. Most of the ghosts are doomed to a repetitive loop of something they did while they were still despairing humans (a man repeatedly hangs himself, for example), but there are some ghosts so locked in denial, they do not know they are dead. They continue to haunt their homes, wrapped in fear that their souls will soon be torn from them.
Emilie has been hired to care for the four sons of wealthy Adam Stoddard and his wife, Molly. After Molly dies, Adam and the boys grow to depend on Emilie even more. At the same time, Emilie falls in love with Adam. The boys grow up, but Adam insists that Emilie stay on as part of the family. Her relationships with both the boys and Adam become strained after one son marries a gold-digging viper named Hester. Written by Daniel Bubbeo
In this modern remake of Karz, Om – an aspiring actor from the 1970s – is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
The film is based on the true story about a Soviet KV-1 crew of a Soviet KV-1 tank, under the command of Semyon Konovalov , whom despite being heavily outnumbered by German forces, destroyed 16 tanks, 2 armored vehicles and 8 other enemy vehicles at the village of Nizhnemytyakin, Tarasovsky district, Rostov region on July 13th, 1942.
Alison Wynn is an amateur triathlete who convinces Dr. Laura Stevens, a controversial peak-performance trainer, to take her on as a client. Together they embark on a rigorous program combining cutting-edge physical training with experimental hypnotherapy in an effort to render Alison more competitive. Pushed to her limits and forced to explore the painful repressed memories of her mother’s suicide, Dr. Stevens’ punishing regimen helps Alison post impressive gains and break through her own glass ceiling; but at what cost? Alison’s work and family life with her husband and daughter suffer but no sacrifice seems too great to satisfy Laura’s escalating demands. In fact Laura will do whatever it takes to have Alison all to herself. As Alison runs directly into Laura’s sinister psychological trap, it’s up to Alison’s daughter to help her mother see through the deception before they lose her forever.
Jackie is a CCTV operator. Each day, she watches over a small part of the world, protecting the people living their lives under her gaze. One day, a man shows his face on her monitor, a man she thought she would never see again, a man she hoped never to see again. Now she has no choice and is compelled to confront him.
Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in “Alexandria, Why?” and “An Egyptian Story”. Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia’s perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.