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The story of Oliver Cromwell’s head is perhaps the most bizarre, yet least well known, of all tales from English history. From regal burial to exhumation and decapitation, this relic of our only non-royal ruler has travelled a most peculiar path. It has been a gruesome warning to traitors, a secret prize for a soldier, an attraction at an 18th-century peep show, and an object of veneration and derision until it was finally laid to rest in a secret ceremony. CROMWELL’S HEAD, is a one-hour documentary, telling the full story of this extraordinary artifact. CROMWELL’S HEAD unravels a mystery and brings to light a variety of strange tales. By looking at the passions, public and private, aroused by Cromwell and his head, it illuminates how British attitudes to monarchy, democracy and radicalism were formed – and how they have changed, since our civil war over 350 years ago
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What better way to kick off Penthouseandapos;s 25th anniversary than with the swimsuit video to end all swimsuit videos.
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Culture Club, Spandau Ballet, Visage, Marilyn, Adam and the Ants, Duran Duran, ABC… At the dawn of the 80s, a whole host of strangely dressed men in make-up burst forth onto the music scene brandishing synthesisers and kicking against the visual ugliness of punk.
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Lea Tsemel, a Jewish-Israeli lawyer, defends Palestinians: from feminists to fundamentalists, from nonviolent demonstrators to armed militants. As far as most Israelis are concerned, she defends the indefensible. As far as Palestinians are concerned, she’s more than an attorney, she’s an ally. «Advocate» follows Tsemel in real time, including the trial of a 13-year-old boy — her youngest client to date.
The crew of “The Patent Scam” travelled from coast to coast, as well as to Eastern Texas to investigate the law offices that were filing numerous patent lawsuits and benefiting from the hard working small businesses. What they discovered was riveting.
The story of how police repeatedly allowed a serial murderer to slip through their fingers. Stephen Port date-raped and murdered four young gay men in East London within fifteen months and dumped all four bodies within a few hundred metres of each other. The film tells the story through eyes of the families of Port’s victims, unpicking how the police failed to properly investigate each of the deaths in turn. The police’s assumptions that these young gay men had died from self-inflicted overdoses of chem-sex drugs allowed Port to continue raping and killing innocent young men.
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