A propaganda short film produced by the US Navy in 1945 about the naval engagements of the invasion of Okinawa.
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Stranded behind enemy lines when the Japanese attack the Philippines in late 1941, Lt. Bailey must lead a group of soldiers and their families to safety and the streets of Manila. During the perilous trek, Alex befriends a virginal young soldier whose only desire is to have sex once before he dies.
The story of how police repeatedly allowed a serial murderer to slip through their fingers. Stephen Port date-raped and murdered four young gay men in East London within fifteen months and dumped all four bodies within a few hundred metres of each other. The film tells the story through eyes of the families of Port’s victims, unpicking how the police failed to properly investigate each of the deaths in turn. The police’s assumptions that these young gay men had died from self-inflicted overdoses of chem-sex drugs allowed Port to continue raping and killing innocent young men.
Long a mainstay of Christchurch’s underground music scene, Into the Void are ready for their close-up in this lively and eccentric film which documents two plus decades of heavy rocking, hard drinking and artistic endeavour.
If you happen to be transgender and you want to go swimming, which changing room do you go into? In this short documentary we meet a group of trans activists who have taken matters into their own hands and set up a safe space swimming club. It is a film about the healing effects of community and the relief that comes after taking the bravest plunge of all – to just be yourself. It is also an ode to universal joys of swimming.
The history of New York City’s Apollo Theater in Harlem is given the full treatment.
Dissecting one of the most influential platforms of the contemporary social media landscape, TikTok, Boom. examines the algorithmic, socio-political, economic, and cultural influences and impact of the history-making app. This rigorous exploration balances a genuine interest in the TikTok community and its innovative mechanics with a healthy skepticism around the security issues, global political challenges, and racial biases behind the platform. A cast of Gen Z subjects, helmed by influencer Feroza Aziz, remains at its center, making this one of the most needed and empathetic films exploring what it means to be a digital native.
International Flight 42 is on course, when all of a sudden a massive and weird storm crops up around the plane. This sends the plane back in time to the year 1940- smack dab in the middle of WWII! Now, the crew and passengers must not only find a way back to their time, but fight off the Axis powers.
The documentary challenges what we have been taught about human evolution and the rise of early civilization.
Brothers Colin and Ewan McGregor follow up their documentary The Battle of Britain with a film exploring Bomber Command, a rarely told story from the Second World War. The film focuses primarily on the men who fought and died in the skies above occupied Europe, with numerous examples of individual heroism and extraordinary collective spirit, and Colin learns to fly the key aircraft of the campaign: the Lancaster bomber. But this is also the story of a controversy that has lasted almost 70 years. The program covers six years of wartime operations, and traces the obstacles and challenges that were overcome as the RAF developed and deployed the awesome fighting force that was Bomber Command.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.
