Mr Wong is a third generation fisherman in Hong Kong, struggling to keep this tradition alive. One night, he decides to leave the crowded waters of the harbour, and fish in calmer waters. His luck changes when he catches something that does not belong to this world.
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The year is 2314 AD, two years have passed since the defeat of the Innovators and the exposure of the A-Laws’ crimes against humanity. The A-Laws have been abolished and their infrastructure integrated into the Earth Sphere Federation Army. However, the world’s exposure to GN Particles has resulted in many people awakening as True Innovators. Celestial Being has returned to the shadows to rebuild and quietly observe the infantile peace. However, an abandoned probe from an expedition to Jupiter 130 years ago approaches Earth bringing a new crisis with it, one that threatens all of mankind. While Celestial Being begins their final mission to save humanity from an unimaginable threat, Gundam Meister Setsuna F. Seiei is about to discover the true purpose of his evolution as an Innovator. Aeolia Schenberg’s plan has moved into its final stage…
Poet Yusuf (35-38) returns to his childhood hometown, which he hadn’t visited for years, upon his mother’s death. He is faced with a neglected, crumbling house. Ayla, a young girl (17-19) awaits him there. Yusuf has been unaware of the existence of this distant relation who had been living with his mother for five years; He stays by his dead mother’s bedside for a while on the morning of his return…
A funny and irresistible story of a young girl who literally cannot see or hear her mother, even though she is living with her under the same roof. With the help of an eccentric psychiatrist, and a local, accidental hero, our heroine has to grow up, but falls in love and eventually takes hold of her future – despite not being able to see what’s right in front of her.
The Days of Creature Features Are Back.
After living peacefully in the caverns of a small town, a stranded group of aliens turn deadly as they fight for their existence, betraying the compassionate chief of police who has protected them for 28 years.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Frank and Jack Baker are professional musicians who play small clubs. They play smaltzy music and have never needed a day job…
Amelia hesitantly follows her husband’s dream of heading west during the 1848 California gold rush. His rash decision to go ahead of the caravan results in his death at the hands of Indians, but Amelia survives. Alone in a wilderness that she never wanted to travel, she must find civilization with virtually no survival skills or supplies.
