Mark Gatiss’s adaptation of HG Wells’s science fiction classic. July 1969, and as the world waits with bated breath for the Apollo astronauts to land on the Moon, a young boy meets 90-year-old Julius Bedford. He’s a man with an extraordinary story of how, way back in 1909, he got to the Moon first, and, together with the eccentric Professor Cavor, discovered a terrifying secret deep beneath its seemingly-barren surface.
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200 years after his shocking creation, Dr. Frankenstein’s creature, Adam, still walks the earth. But when he finds himself in the middle of a war over the fate of humanity, Adam discovers he holds the key that could destroy humankind.
Once a known counterculture figure, June E. Leigh now lives in self-imposed exile in her South Bronx apartment during the incendiary ’77 Summer of Sam. When an unseen tormentor begins exploiting June’s weaknesses, her insular universe begins to unravel.
An English lady falls in love with a French pirate after he kidnaps her from her ancestral home on the coast of Cornwall and sweeps her off her feet into a world of adventure.
A man wakes up deep inside a cave. Suffering amnesia, he has no recollection of how he came to be here or of what happened to the man whose body he finds beside him. Tailed by a mysterious creature, he must continue through this strange and fantastic world. Enclosed, Tolbiac has no other option to reach the surface than to use REZO ZERO, secret observing cells in this cemetery-like abandoned mine.
Genndy Tartakovsky’s Primal: Tales of Savagery features a caveman and a dinosaur on the brink of extinction. Bonded by tragedy, this unlikely friendship becomes the only hope of survival.
On 8th February 2000 at Feltham Young Offenders Institute, Robert Stewart, a known violent racist was placed in a cell with Zahid Mubarek, eventually leading to Mubarek’s murder 6 weeks later.
Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.
definitely a bad movie with no money & talent thrown into it.
After a teenage girl reports a rape, her village ostracizes her and her family.
In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.
The sheriff of a small town in southwest Texas must keep custody of a murderer whose brother, a powerful rancher, is trying to help him escape. After a friend is killed trying to muster support for him, he and his deputies – a disgraced drunk and a cantankerous old cripple – must find a way to hold out against the rancher’s hired guns until the marshal arrives. In the meantime, matters are complicated by the presence of a young gunslinger – and a mysterious beauty who just came in on the last stagecoach.
