A man refuses all assistance from his daughter as he ages. As he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
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A road movie about a dropout who leaves himself completely to chance. A parable about freedom, self-determination and the poetry of an undefined life.
The strangest thing about this story is that it’s true. In 1952, Argentina’s beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near “Evita.” Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife’s body. The military junta now in control kidnapped the corpse; so afraid were they of Eva’s symbolic power that they even made it illegal to utter her name. Thus began the two-decade journey of Eva’s body throughout Europe and eventually back to Argentina.
Years have passed since Sophie (Wendy Crewson) left the ranch her family calls home to pursue her dream of becoming a singer. The death of her father means that Sophie, now 30, must return to the home she left behind so long ago. Once there, she’s persuaded by her mother to leave her own aspirations behind and help with the ranch — a choice that’s helped along by the presence of Alex (Paul Gross), an attractive ranch hand.