After leaving her family’s farm to study nursing in the city, a young woman finds herself on an unexpected path towards politics.
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Tara needs to go back to Parable, Montana, the place that made her the happiest, in order to move forward after a messy divorce. Her handsome neighbor presents an unexpected twist.
Olivier award-winner Eve Best (A Moon for the Misbegotten and Hedda Gabler) and BAFTA-nominated actress Anne Reid (Last Tango in Halifax) star in this new classically staged production of Oscar Wilde’s comedy directed by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The first play from the Classic Spring Theatre Company’s Oscar Wilde Season, A Woman of No Importance will be captured live for cinemas from the Vaudeville Theatre in London’s West End. An earnest young American woman, a louche English lord, and an innocent young chap join a house party of fin de siècle fools and grotesques. Nearby a woman lives, cradling a long-buried secret. First performed in 1893, Oscar Wilde’s marriage of glittering wit and Ibsenite drama satirised the socially conservative world of the Victorian upper-class, creating a vivid new theatrical voice which still resonates today.
Twenty-five-year-old Vadym earns a living recording and selling all kinds of different sounds; nevertheless, he’d rather exchange his life in Kyiv for a better future in far-flung Canada. Thus, when he gets a generous job offer which might help him realise his dream, he jumps at the chance; he soon sets off to record the sounds of animals indigenous to Ukraine and also a rare bird native to the Carpathians. The situation proves somewhat more complicated when Vadym’s companion on the trip turns out to be his mother… To the sounds of a synthesized music score, debuting Ukrainian director Antonio Lukich unfolds a visually creative road movie, in which he demonstrates a highly unusual talent for constructing tragicomic situations.
Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men.
Bee is falling in love with her senior surgeon co-worker. But his girlfriend who recently died in an accident isn’t quite ready to give him up yet.
After years of helping their hubbies climb the ladder of success, three mid-life Manhattanites have been dumped for a newer, curvier model. But the trio is determined to turn their pain into gain. They come up with a cleverly devious plan to hit their exes where it really hurts – in the wallet!
Phillip (Aaron Kwok) is a dance instructor who holds a class devoted to the latest dance craze, Para Para. While in Shanghai, he meets Yee (Cecilia Cheung), a spoiled rich girl who is running away from her impending arranged marriage. Soon, Yee begins using Phillip’s dance studio as a sanctuary from her responsibilities, and an attraction begins to form between the two. However, Yee is called back to Japan to be married before long, and Phillip must use more than his dance skills and charisma to prevent her from taking her vows.
In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society. Steve, the journalist reporting on the case, thinks the zombies still pose a threat to society. He ventures into one of these camps to prove to the world that rehabilitation is out the question.
Two ladies become unlikely friends after ending up in the same cozy cabin during a snowstorm. Pillow fights, massages, and a peeping tom all come into play in this wild fun time.
Legendary Weapons of China is a martial arts fantasy film taking place during the late Qing Dynasty when Empress Dowager Cixi dispatches her agents to various factions of the Boxer Rebellion in order find supernatural martial artists that are invulnerable to western bullets. When one of the leaders of these groups disbands his forces, assassins from the remaining factions are sent out to kill him.
An eclectic band of misfits becomes an unlikely family as they take a wild journey in the name of love while on the run from an overzealous FBI duo who want them dead or alive – preferably dead.