Set in the time of steam locomotives and covering a period of almost 30 years, this sensitive film tells the story of the wife of a railroad worker in the northern part of Japan. The ferocious local class restrictions work to keep her husband in his place, as does his lack of education.
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Four companions embark on a journey to the seaside, but their trip takes an unexpected turn as they discover a stowaway. This sets off a cascade of events, challenging them with dilemmas that will test the foundation of their friendship.
A shopkeeper takes God to court when his shop is destroyed by an earthquake.
Two rivals, Sheng from the South and Shao from the North, have one common enemy, the Silver Fox. The Silver Fox killed Shao’s parents and robbed from Sheng’s palace. When each one fails to defeat Silver Fox, the two decide to team up and win.
A teenager ends up being hounded by a well-groomed and seemingly cute and tiny dog that actually turns out to be a nightmare of a beast.
Rude Boy is a semi-documentary, part character study, part ‘rockumentary’, featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.
In Santa Cruz for the summer, a young woman discovers the sport of surfing — and a family secret as well.
Rumors of demonic possession at a religious convent prompts a church investigation into the strange goings-on among its nuns. A disaffected priest and his neophyte are confronted with temptation, bloodshed and a crisis of faith.
Young James struggles as the outsider kid at his school. His teacher, Mr. Sutherland, the only person he feels he can connect with. When James finally puts a voice to his feelings, Mr. Sutherland’s response isn’t what James had hoped for.
Returning late to London, Johnny gives a lift to an attractive female hitch-hiker. Some distance on, he stops to make a phone call and buy a coffee, but on returning to his cab finds the woman gone. Assuming she has hitched another ride, he continues on his way. A short time later he is flagged down by another driver, who has come across a woman lying by the roadside. The woman is Johnny’s hitchhiker and she’s dead.
Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
