This third and final film of the Falls trilogy revisits former Mormon missionaries Chris and RJ, six years after they first fell in love and were disciplined for it, as they formulate a plan to be together at long last.
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Kate is devastated to learn that her husband Billy has been living a double life.
Average Texas teen, Billie Jean Davy, is caught up in an odd fight for justice. She is usually followed and harrased around by local boys, who, one day, decide to trash her brother’s scooter for fun. The boys’ father refuses to pay them back the price of the scooter. The fight for “fair is fair” takes the teens around the state and produces an unlikely hero.
Colin is in agony, shattered by his wife’s infidelity, so his friends kidnap the wife’s lover so he can have his revenge.
Nancy, East of France. Summertime. Seeking to escape her troublesome family environment, Sophie, 15, jumps at the chance to get the spare keys to her wealthy friend Jade’s house. While enjoying the spacious home she thought deserted for summer, she bumps into her friend’s older brother Stéphane, who, as fate would have it, was also planning on staying. But instead of chasing her out, Stéphane will choose to leave the door open as an invitation to a summer Sophie never expected.
Follows Allee, as she meets Ethan, a charismatic Wine Inc. representative who wants to convince Allee’s grandparents to sell their family vineyard, and things get complicated as Allee and Ethan get closer but want different outcomes.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Peter loves his next door neighbour Erica and, on the advice of his grandfather, decides to camp out on her front lawn for the entire summer, or until she agrees to go out with him. His father is none too happy about the idea and refuses to let his son back in the house, even to get a change of clothes.
IT’S NOT A DATE tells the story of Carly and Milo, a couple in their twenties on their first date. Although “It’s not a date” but more of a casual meet at a local club; it begins as a classic girl meets boy saga with casual conversation that escalates to a night of passion. It evolves, NOT into a romantic partnership or a parting nod, to “bad chemistry” but instead with Carly. Frustrated with a life full of bad dates and believing that Milo is the worse of them she takes Milo on a detour into insanity so extreme he wishes “It’s not a date.”
Based on the classic Chinese novel “Jin Ping Mei,” written during the Ming Dynasty. The novel itself is the first full length Chinese fictional work to depict sexuality in explicit manner. The movie (as well as novel) takes place during 1111-1127 and centers around Ximen Quing, a corrupt social climber and lustful merchant who is wealthy enough to marry a consort of wives and concubines.
At the age of forty Dame Margot Fonteyn is considered to be past her best as a prima ballerina and Ninette de Valois is reducing her roles at the Royal Ballet. Then the exciting young Russian dancer Rudolf Nureyev, a recent defector to the West, comes into her life and her bed and revitalizes her career. Frederick Aashton creates a new ballet for them and they become the golden couple of the ballet world. However, Margot is married to Roberto ‘Tito’ Arias, a Panamanian politician of dubious repute who is not sympathetic to her calling and is probably faithless. When he is shot and paralyzed for life Margot must carry on dancing well into her sixties in order to pay for his costly treatment though she still collaborates with Rudolf in the occasional ballet.
An outcast’s relationship with her new summer friend is put to the test when the school year begins.
John has lead a solitary life for thirty years since the death of Moonyeen Clare. But now Owens, a close friend, insists that he care for his niece, Kathleen, orphaned when her parents were lost at sea. Kathleen is five, but the years pass and now she is a young woman who is the image of Moonyeen. Willy wants Kathleen for his wife, but Sparks fly when she meets Kenneth Wayne one dark and stormy night. John is horrified for it was Wayne’s father who shot Moonyeen dead on her wedding day and John has never found him or forgiven the family. When Ken goes off to war, John forbids any marriage and Ken agrees, while Kathleen does not. When Ken returns four years later when the war is over, he is crippled. He conceals his condition and makes plans to leave for America.