The true story of a disillusioned military contractor employee and his drug pusher childhood friend who became walk-in spies for the Soviet Union.
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Rod Steiger is ferocious as a scheming land developer in Francesco Rosi’s Hands over the City, a blistering work of social realism and the winner of the 1963 Venice Film Festival Golden Lion. This expose of the politically driven real-estate speculation that has devastated Naples’s civilian landscape moves breathlessly from a cataclysmic building collapse to the backroom negotiations of civic leaders vying for power in a city council election, laying bare the inner workings of corruption with passion and outrage.
Sylvester Stallone is fighting the odds again, this time in the wrestling ring. As Cosmo Carboni, he and his two brothers dream of getting out of Hell’s Kitchen (circa 1946) and into the big time. The exit signs point to Paradise Alley, a sleazy private club where the floorshow consists of raucous wrestling matches with big purses. Stallone not only starred in and wrote this action-packed film, he also made his directorial debut in this tale of three guys who could take anything Hell’s Kitchen could dish out.
This loosely plotted coming-of-age tale follows the life of 15-year-old Laurent Chevalier as he stumbles his way over the burgeoning swell of adolescence in 1950s France. After having his first sexual experience with a prostitute and dodging the lips of a priest, Chevalier contracts a case of scarlet fever. When the fever leaves him with a heart murmur, Chevalier is placed in a sanatorium, along with his over-attentive and adulterous mother.
In a parallel present, delivery man Ray Tincelli is struggling to support himself and his ailing younger brother. After a series of two-bit hustles and unsuccessful swindles, Ray takes a job in a strange new realm of the gig economy: trekking deep into the forest, pulling cable over miles of terrain to connect large, metal cubes that link together the new quantum trading market. As he gets pulled deeper into the zone, he encounters growing hostility and the threat of robot cablers, and must choose to either help his fellow workers or to get rich and get out.
After eloping with her seemingly perfect boyfriend after only a few weeks, Colette realizes too late that his intent is to control her completely.