An American priest working in Mexico is considered a saint by many local parishioners. However, due to a botched exorcism, he carries a secret that’s eating him alive until he gets an opportunity to face his demon one final time.
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In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one’s life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.
Mickey Spillane plays his own creation, street-thug-turned-PI Mike Hammer, in this 1963 adaptation of his novel. The film opens with Hammer on the downside of a years-long bender, scooped out of the gutter by a bitter cop intent on prying information from a dying man. Inspired to clean up his act by the secrets he hears, Hammer hits the streets on a personal crusade to find the love of his life. Future Bond girl Shirley Earton costars as a glamorous society widow who goes slumming with Hammer.–Sean Axmaker
Passionate BMX dirt jumper, Phin Cooper, wants nothing in life but to attain fame in his sport. After missing a competition when he lands in jail for unpaid citations, he is court-ordered for community service and reluctantly mentors one of the toughest boys, Blue Espinosa. As Phin leads the troubled teen on exciting adventures of riding dirt trails, big jumps and cityscapes, Blue becomes more than an obligation – an unlikely friend whose secret world of drug trafficking threatens Phin’s ultimate dream. Featuring some of the best stunts in dirt jumping by legendary pros and hardcore locals, Heroes of Dirt is more than adrenaline rush. It embarks on an unforgettable journey into real significance, and the price it takes to get there.
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
Story about five people who wanted something so badly that they’ll do anything, even to deal with the devil. As they finally get what they want, no one has mentioned that their dream will cost them their lives.
It’s 1990 and an Indonesian fishing boat abandons Iraqi and Cambodian refugees in a remote part of the Western Australia. Although most are quickly caught by officials, three men with nothing in common but their misfortune and determination to escape arrest, begin an epic journey into the heart of Australia.
A hilarious underworld gangster known as Munna Bhai falls comically in love with a radio host by the name of Jahnvi, who runs an elders’ home, which is taken over by an unscrupulous builder, who gets the residents kicked out ironically with the help of Munna’s sidekick, Circuit, while Munna is busy romancing Jahnvi elsewhere.
On the surface it’s believed to be another urban legend – a supernatural being from the afterlife is violently killing anyone who cheats on their significant other in the small college town of Silvercreek, Pennsylvania. But the town’s unusually high suicide rate is finally convincing both locals and college students that everything is not as it seems. When Maeve – a female college student – sleeps with Charlie, the married man of the host family she is staying with, both sense the deadly curse is closing in on them. Unable to get anyone to believe them, Maeve and Charlie seek out a local history student to help find answers and figure out a way to defend themselves. It all comes undone, however, as several people are horrifically killed by the savage being – one-by-one at a rapid pace. Eventually, Maeve, Charlie and the few survivors band together in an attempt to defeat the monster once and for all.
Jimmy Rabbitte, just a tick out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey “The Lips” Fagan.