Cellat, the Turkish version of Death Wish, sticks fairly close plot wise to the template of the American film, with some scenes and bits of dialogue being almost identical. However, it also deviates from its inspiration at times and is at its most interesting and valuable in these little moments, providing lurid snapshots of a place and a culture.
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The film speaks about universal themes of love, hate and search for love. The portrait of three women represents these three states. Tanya Neubivko has never been in love but optimistically is searing for it. Her unfortunate and even dangerous encounters with strangers on dates almost got her killed. Rita is happily engaged and planning a wedding after a routine medical check-up. Nadya is a very unhappy doctor who hates her husband and finds relief in alcohol. The story takes place in a surreal hospital with the leaking roof and hollow walls and constantly smoking doctors, where Rita is destined to die.
As a misanthropic, aging bartender cares for his estranged wife they begin to outgrow their cynicism while he forges a friendship with an impressionable young woman who is just discovering it.
In New York, people are slain and strangled to death brutally on the open street. All witnesses agree that the murderer was in a cop’s uniform. Soon the police searches and finds a suspect in its own ranks: Jack Forrest, turned in by his own wife. To prove his innocence, he has to investigate on his own.
A patriarch of a wealthy and powerful family suddenly passes away, leaving his wife and daughter with a shocking secret inheritance that threatens to unravel and destroy their lives.
The movie centers around Elizabeth who, with the support of her mother-in-law Nonna, is doing everything she can to keep her late husband’s once acclaimed — but now struggling — Italian restaurant afloat. With business going downhill, she is forced to work with a professional restaurant consultant, Ben, to see if they can turn things around. At first, Elizabeth resists the changes Ben believes will save the restaurant, but as they get closer, Elizabeth realizes that not all change is bad. She rediscovers her passion for baking and might even open her heart to new love.
When Therese learns that her days are numbered, she seeks the help of her friend Maddie to find guys to have sex with, but she soon discovers her real sexual cravings.
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away…
Engaging, emotional and riveting, FAREWELL is an intricate and highly intelligent thriller pulled from the pages of history— about an ordinary man thrust into the biggest theft of Soviet information of the Cold War. Ronald Reagan called this piece of history – largely unknown until now – “one of the most important espionage cases of the 20th century.” FAREWELL begins in 1981, after the Soviet invasion of Afghanistan. A French businessman based in Moscow, Pierre Froment, (Guillaume Canet) makes an unlikely connection with Grigoriev (Emir Kusturica), a senior KGB officer disenchanted with what the Communist ideal has become under Brezhnev. Grigoriev begins passing Froment highly sensitive information about the Soviet spy network in the US.
A teenage girl, distraught from her vain attempt to connect with her estranged mother, resorts to cutting herself. When she develops an online relationship with an older woman, she learns to accept her sexuality and the endless solitude of sprawling suburbia.
When an attack on the Kingsman headquarters takes place and a new villain rises, Eggsy and Merlin are forced to work together with the American agency known as the Statesman to save the world.
A young man discovers a mysterious mirror and begins to have disturbing visions of forbidden passion and brutal murder. But when he also finds a beautiful woman back from the dead and a detective with a thirst for revenge, the real terror has only just begun. The mirror sees all…but what shocking secrets will it reveal?
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.