Vikki, an innocent young woman falls victim to her own psychosis brought on by a man, Clayton, who’s end goal is to rid the world of those different than him. By drugging his victims and not only causing self-mutilation, but horrible violence against anyone around them, he compels others to murder for him. What’s supposed to be a relaxing weekend for four friends quickly turns into a fight for survival in the middle of the North Carolina wilderness.
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Two young business partners are invited to a week-long yachting voyage with a potential investor. At night, Jennifer’s dreams begin to bleed into reality as the others realize that Jennifer may have unknowingly brought something on-board.
A couple from East Tennessee goes on a three day hike in the Great Smoky Mountains. The fun starts to dissipate when they start finding evidence of possible criminal activity scattered throughout the trails, and the deeper they plunge into the wilderness, the more they feel like they are being watched. Things take a turn for the worse when the couple runs into a trio of intimidating strangers. Their intentions are unclear, and the couple tries everything to escape the woods before violence ensues with their new adversaries. Eventually, another source of terror reveals itself, building up to the final fight between good and evil.
In 1945 the Second World War came to an end and the Nazis fled. Scientists and military elite escaped across borders and found themselves in new worlds. Some fled to Russia, some the United States and others to South America. But there was another division, a forgotten group. A top secret and powerful team of men and women formed in the womb of the Nazi Occult. Now, decades after the war, their work is nearing completion. The 4th Reich is ready. It’s more powerful and destructive than ever before. An army of hell is coming. Only one man knows the truth. His mission now, is to convince the world. Based on years of occult research and insider knowledge, Dead Walkers is a film packed with spies, soldiers, Nazis and secrets. But also a very dark and mysterious army raised in the pit of Nazi hell.
An anorexic young woman escapes from a psychiatric clinic and meets a young man who wants to help. She is caught and returned to her parents, who are soon beheaded by a garrotting stranger making the rounds about town, apparently striking only when it rains. The orphaned young woman and her new lover launch their own investigation and are endangered when a link is discovered with the victims and a particular operation performed years before.
A growth hormone experiment gets out of hand, when the the resulting giant man-eating rats escape, reaking havoc on the unsuspecting campus. Much blood-letting follows.
Bri is recently divorced and under house arrest due to her ex-husband’s crimes, but when a stalker shows up, seems to have control over his surroundings.
A seedy downtown bar on a quiet Sunday morning becomes a battleground for Armageddon, when a batch of bad booze contaminates the alcohol supply of the local drunks. Carrying a mutated worm, the tainted tequila infects all who drink it, swiftly turning them into ravenous shots for brain-eating worms. Luckily, an intrepid group of drunks, losers and lost souls is on hand to save the day!
In this short film, Sarah and Matt have a ‘unique’ relationship. But when they throw a Halloween party, things take a turn for the worse.
Millionairess actress-singer Marie Coleby (Deborah Couls) lives in a luxurious villa on a deserted beach. One afternoon following a TV commercial shoot at the villa she incites gardener Gordon Mason (Chard Hayward) to mayhem and murder. The unexpected arrival of Marie’s sister Jenny Nolan (Louise Howitt) hinders Mason’s attempts to dispose of the body. He then decides to kill Jenny. But she is equally determined to stay alive … so begins a battle of wits. Jenny’s salvation seems at hand when two security men arrive at the villa, but only one, Officer Collings (Roger Ward) survives the initial siege. Then Jenny is alone to face Mason for the final time …
Shot entirely without dialogue and filled with suggestive violence and psycho-sexual imagery, it’s like a skid row expressionist thriller following the nocturnal prowling of a young woman haunted by homicidal guilt.
