On the Guajira peninsula in northern Columbia the old traditions of the indigenous Wayuu still hold sway. As soon as they begin menstruating, young women have to go and spend a year in a simple hut where only a few women are allowed to visit them. Contact with men is taboo. The grandmother is chiefly responsible for preparing the girl for her role as a woman during this period of seclusion. Pili is 12 years old when, for her grandmother’s sake, she decides to follow this custom. But does she really know what she is taking on?
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During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. Little Palestine (Diary of a Siege) is a film that follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.
As boxing’s popularity wanes, three fighters at different stages of their career make sacrifices to pursue their dreams of becoming champions.
THE LAST OF THE WINTHROPS explores the powerful revelations of a woman who reclaims her sense of self after taking an Ancestry DNA test. Initially she faces the seismic truth that her father, Reginald Winthrop, who could trace his heritage literally to the founders of America, is not her biological father. When Reg and his beautiful French Canadian wife Claire have their “miracle child”, Viviane is raised as an heir to the historic Winthrop exceptionalism and finds pride in her career in dentistry. After she is contacted by an unknown relative through their Ancestry DNA test, Viviane embraces her new identity, where she finds peace after facing powerful themes about love, blood and family.
This documentary, filmed and told by residents, shows how the city was ravaged and what it was like to live through the Russian attacks. Hear from those who survived the bombing of the Donetsk Academic Regional Drama Theatre and a maternity hospital, who hid in the bunkers of the Azovstal plant, and who escaped the occupied city, only to return to save family members.
On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.
A documentary shedding light on the certain damage the Income Tax and the IRS have wrought on liberties, businesses, families, and religious, charitable and civic organizations, while empowering a political agenda contrary to America’s heritage.
South African filmmaker Jo Menell is most well-known for the cult feminist classic, Dick (1989), which featured 1000 penises accompanied by an audio commentary from women. The nature of that film, however, belies a rich career in film and journalism that spans the Vietnam War, the Allende government in Chile, the emergence of gay rights in San Francisco, a 1981 Bob Marley documentary, an Oscar nominated film about Nelson Mandela (1997), and the Street Talk television series, as well as close relationships with key figures from the 20th Century. Born into a life of privilege, Menell had progressive political inclinations and soon left apartheid South Africa for Britain where he was schooled in the ways and connections of the British ruling class. The film chronicles his amazingly rich and varied life using archival footage alongside a series of interviews conducted with Menell while his portrait was being painted by Cape Town artist Beezy Bailey.
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